Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
BmF#mED I should thank you almost no one could kill it off until you bled it but I got rid of that ghost 'though certain habits remain imbedded with the shadow of a doubt but baby it was you who fed it GG/F#EmDsus4D and I don't know what else to say but I think you get it
chorus: AEBmD I should've known it was coming down to this I should've known you would betray me but without the kiss I should've known the kind of set-up it is
BmF#mED And always isn't always when it's not your photograph that I've been keeping but you still live in those days when I'd stay awake just to watch you sleeping you delivered that blow but it left a mark on me that you're not seeing GG/F#EmDsus4D and I don't know what else you hear but it's not me weeping
[chorus]
BF#m I should've seen the cracks in the ceiling and the mirror covered up with dust C#mBE but I was busy talking on the phone GABA/C#B/D#F# I should've seen the obstacles but I said, BF#E this house was built for us C#mA Hello is anybody home?
[solo] EF#GG#mC#mAC#mBC#mA 2x E
BF#C#mE I should've known the minute that we hit the wall I should've known the writing was upon the stall I should've known 'cause Rome was starting to fal E F# Gl