Desde su trabajo en los años 80 con el favorito de MTV Til Tuesday hasta sus aclamados discos en solitario ”Whatever” y “I’m With Stupid” en los 90, Aimee Mann siempre ha estado a la vanguardia de los compositores contemporáneos. El final del milenio le trajo su mayor éxito, con los lanzamientos simultáneos de “Bachelor nº 2” y la banda sonora de la película Magnolia, que fue nominada a un Oscar, un Globo de Oro y tres Grammys.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
EmBm Though I let you steer You a cavalier EmGmaj7D Inch became a lightyear C#mF#7 It was pathetic
EmBm Oh you can write the play And every word I say EmGmaj7D But I don't have to stay C#mF#7 To see the credits
F#mC#m 'Cause it's all over now Yes it's all over now AC#mA And I'm free
EmBm I was one of few Who'd stick up for you EmGmaj7D And so you never kne C#mF#7 You were a punch line
EmBm I could not convince or trust you To pick up on my hints, must you EmGmaj7D Leave your fingerprints C#mF#7 On everything I called mine
F#mC#m Well that's all over now Yes it's all over now AC#m And I'm free AD#mG# Yes I'm free C#mD#mG# From your interference Which had the appearance A Of making it clear that EBF#mC#mF#mC#mF#mA It's got nothing to do with me It's got nothing EBF#mC#mF#mC#mF#mA It's got nothing to do with me It's got nothing EBF#mC#mF#mC#mF#mA It's got nothing to do with me It's got nothing EBF#mC#mF#mC#mF#mA It's got nothing to do with me It's got nothing EBF#m And I warn you now the velocity I'm gathering