Biografía:
Allan Carl Newman (nacido el 14 de abril 1968) es un músico y compositor canadiense. Fue miembro de las bandas de indie rock Superconductor y Zumpano en la década de los 90. Después de la desintegración de esas bandas, resurgió como el líder de The New Pornographers en 2000.
En 2004, Newman comenzó su carrera como solista, actuando como A.C. Newman.
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Otras canciones:
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Bm E Bm E
A F#m A F#m
Bm E
Are we judged here by the things we say
Bm E
Or is it just the noise we make?
A F#m
Long before you were a patent pending
A F#m
There was a time you were the artist friendly
D E C#m
One,
D E C#m
one.
Bm E
When you really have to move you’ll be amazed
Bm E
At the way you learn to hide the stuff away
A F#m A
At the rider with the new headliner of the show,
F#m
looking for some new venues
D E C#m
You could outgrow,
D E C#m
you could outgrow.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
Bm E
Someone really needs to turn the lights out
Bm E
Don’t you know there is a war on here?
A F#m
It’s time enough out on the dead end streets.
A F#m
You’re done exploring, done it to death,
D E C#m
Haven’t you,
D E C#m
haven’t you?
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
F#m E F#m E A A A A x3
F#m E
Got the mail on the first day back
F#m E
In the loft apartment left to rot
A
Left there listening, to Hurricane Smith
A
If it gets more inappropriate.
D E C#m
I don't wanna know,
D E C#m
I don't wanna know.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
A F#m A F#m
Bm E
Are we judged here by the things we say
Bm E
Or is it just the noise we make?
A F#m
Long before you were a patent pending
A F#m
There was a time you were the artist friendly
D E C#m
One,
D E C#m
one.
Bm E
When you really have to move you’ll be amazed
Bm E
At the way you learn to hide the stuff away
A F#m A
At the rider with the new headliner of the show,
F#m
looking for some new venues
D E C#m
You could outgrow,
D E C#m
you could outgrow.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
Bm E
Someone really needs to turn the lights out
Bm E
Don’t you know there is a war on here?
A F#m
It’s time enough out on the dead end streets.
A F#m
You’re done exploring, done it to death,
D E C#m
Haven’t you,
D E C#m
haven’t you?
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
F#m E F#m E A A A A x3
F#m E
Got the mail on the first day back
F#m E
In the loft apartment left to rot
A
Left there listening, to Hurricane Smith
A
If it gets more inappropriate.
D E C#m
I don't wanna know,
D E C#m
I don't wanna know.
A D E A
I didn’t mean to live that many lies
D E A
Compiled in an encyclopedia of classic takedowns.
A D E A
I didn’t mean to live that many lies
D E A
At the tail end of a long receiving line, you’re a hold out.
Bm E Bm E
A F#m A F#m
A.G.
A.M. Rajah
A.N.I.M.A.L.
A.P.I.
A.Q.M.