Biografía:
The Starting Line es una banda pop punk de Philadelphia, Pennsylvania, EEUU, que se formó en 1999.
En la actualidad tienen contrato con Virgin Records.
En 1999, el guitarrista Matt Watts le envió un correo electrónico al vocalista y bajista Kenny Vasoli. Quería saber si Vasoli, que por entonces tenía 14 años y tocaba en una banda llamada Smash Adams, estaría interesado en tocar en Jamming And Shit.
Unas pocas semanas más tarde, Vasoli acudió a un ensayo de su futuro grupo
Read more on Last.fm
Otras canciones:
- 21
- 3S A Charm
- A Goodnights Sleep
- Almost There Going Nowhere
- Are You Alone
- Artistic License
- Autography
- B
- Bedroom Talk
- Best Of Me
- Birds
- Break Up Day
- Cheek To Cheek
- Classic Jazz
- Cut Print It
- Decisions Decisions
- Direction
- Drama Summer
- Dramma Summer
- Drawbacks
- Given The Chance
- Hello Houston
- Hold On
- Hurry
- I Could Be Wrong
- Im Real
- Inspired By The
- Island
- Lasting Impressions
- Leaving
- Left Coast Envy
- Luck
- Make Yourself At Home
- Making Love To The Camera
- Million Hearts
- Need To Love
- Nights And Weekends
- Nothings Gonna Stop Us Now
- Photography
- Pictures
- Playing Favorites
- Ready
- Saddest Girl Story
- Selective
- Somebodys Gonna Miss Us
- Something Left To Give
- Stay Where I Can See You
- Surprise Surprise
- The Best Of Me
- The Best Of Me Accoustic
- The Drama Summer
- The Night Life
- The Rain Cloud And I
- This Ride
- Time To Run
- Up And Go
- Way With Words
- West Girl Scout Road
- What You Want
- World
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
The Starting Line
Selective
Tabbed by: [email protected]
I can't find any correct tabs for this song
Tuning: Standard EADGBe
Chords used:
C#m7 - x42400
A9 - x02400
E/G# - 4x2400
A/F# - 2x2200
E - 022100
Esus4 - 022200
Esus5 - 022400
A/C# - x47600
C#m - x46654
F#m - 244222
Verse 1:
C#m7 A9 E/G# A/F#
You've made quite a life for yourself One better then you've dreamt
E Esus5 Esus4--E--Esus4-Esus5
But it's weig-hing down
The sides "/ means slide"
e|-----
B|-----
G|-----
D|-----
A|-2/4-
E|-----
A9 E/G# A/F#
of your mouth to an appearing frown
E Esus5 Esus4 E Esus5 A/F#-E/G#-A9
Theres more to it than it might sound
Chorus:
A/F# A/C# E Esus5 E--Esus5
Sharpen your overacting skills To cut through the tension
A/F# A/C# E Esus5 A9(hold)
Mark your words with condfidence Selective atten---tion
Verse 2:
Try and "/ means slide"
e|-----
B|-----
G|-----
D|-----
A|-2/4-
E|-----
A9 E/G# A/F#
steady yourself But with one hand down
E Esus5 Esus4--E--Esus4-Esus5
Losing balance
Take a look "/ means slide"
e|-----
B|-----
G|-----
D|-----
A|-2/4-
E|-----
A9 E/G# A/F#
at your hometown You're a different person now
E Esus5 Esus4 A/F# A9 Esus5
The on--ly one who hasn't umm changed
E Esus5 Esus4 E Esus5 A/F#-E/G#-A9
The on--ly one who stayed the same
(Repeat Chorus)
Interlude:
Guitar 1: E x2
Guitar 2:
e|-0-----0--7-
B|-0-----0--7-
G|-9-----8--9-
D|-9-----9--9- (x2)
A|-7-----7--0-
E|------------
Bridge:
E C#m7 A/F# A9
Leave it a point to appreciate the life you lead
E C#m7 A/F# E/G# A9
Don't rush the days, you'll wish they stayed for one year later
A9(hold) A9(hold) C#m7(hold) C#m7(hold)
It's a tragic case of bad taste but it's all concerning you
A9(hold) A9(hold) C#m7(hold) C#m7(hold)
Who truly can appreciate the mess you've made
A9 C#m7
It's a tragic case of bad taste but it's all concerning you
A9 A/F#-E/G#-A9
Who truly can appreciate the mess you've made
(Repeat Chorus twice)
A9--E/G#-A/F#--Esus5(hold)
Selective
Tabbed by: [email protected]
I can't find any correct tabs for this song
Tuning: Standard EADGBe
Chords used:
C#m7 - x42400
A9 - x02400
E/G# - 4x2400
A/F# - 2x2200
E - 022100
Esus4 - 022200
Esus5 - 022400
A/C# - x47600
C#m - x46654
F#m - 244222
Verse 1:
C#m7 A9 E/G# A/F#
You've made quite a life for yourself One better then you've dreamt
E Esus5 Esus4--E--Esus4-Esus5
But it's weig-hing down
The sides "/ means slide"
e|-----
B|-----
G|-----
D|-----
A|-2/4-
E|-----
A9 E/G# A/F#
of your mouth to an appearing frown
E Esus5 Esus4 E Esus5 A/F#-E/G#-A9
Theres more to it than it might sound
Chorus:
A/F# A/C# E Esus5 E--Esus5
Sharpen your overacting skills To cut through the tension
A/F# A/C# E Esus5 A9(hold)
Mark your words with condfidence Selective atten---tion
Verse 2:
Try and "/ means slide"
e|-----
B|-----
G|-----
D|-----
A|-2/4-
E|-----
A9 E/G# A/F#
steady yourself But with one hand down
E Esus5 Esus4--E--Esus4-Esus5
Losing balance
Take a look "/ means slide"
e|-----
B|-----
G|-----
D|-----
A|-2/4-
E|-----
A9 E/G# A/F#
at your hometown You're a different person now
E Esus5 Esus4 A/F# A9 Esus5
The on--ly one who hasn't umm changed
E Esus5 Esus4 E Esus5 A/F#-E/G#-A9
The on--ly one who stayed the same
(Repeat Chorus)
Interlude:
Guitar 1: E x2
Guitar 2:
e|-0-----0--7-
B|-0-----0--7-
G|-9-----8--9-
D|-9-----9--9- (x2)
A|-7-----7--0-
E|------------
Bridge:
E C#m7 A/F# A9
Leave it a point to appreciate the life you lead
E C#m7 A/F# E/G# A9
Don't rush the days, you'll wish they stayed for one year later
A9(hold) A9(hold) C#m7(hold) C#m7(hold)
It's a tragic case of bad taste but it's all concerning you
A9(hold) A9(hold) C#m7(hold) C#m7(hold)
Who truly can appreciate the mess you've made
A9 C#m7
It's a tragic case of bad taste but it's all concerning you
A9 A/F#-E/G#-A9
Who truly can appreciate the mess you've made
(Repeat Chorus twice)
A9--E/G#-A/F#--Esus5(hold)
The Steel Woods
The Steeles
The Steepwater B (...)
The Stellas
The Stems