The Police surge en Londres en 1977, año de crispación, delincuencia y paro en el Reino Unido, causas del malestar social que hizo a la juventud comenzar a adorar a cuatro chavales que gritaban, despotricaban contra la monarquía y bebían mucha cerveza (y se metían lo que no era cerveza), Los Sex Pistols. En pleno auge del movimiento punk, en el que el virtuosismo instrumental y las letras carentes de insultos y política estaban relegados a un segundo plano, eran las bandas realmente buenas las que salían adelante.
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: [email protected] (Ameen Abu-Hanna) If anybody's not familiar with the notations, he're the structure of the song: Play first verse until the ":||", that means go to the "||:", and play second verse (lyrics not included but starts with "see you've sent my letters back..", but skip the "* first verse only" section and go directly to "second verse and &". Play til you see "D. & al Coda" meaning go back to the "&" sign, this would be "guess you'd call it suicide.." in the song, again skip the "* first verse only" and go directly to "second verse and &" but this time go to "Coda" at the measure annotated with "To Coda". Each measure is by the way indicated by the "|" signs. Good luck, Ameen.
Can't Stand Losing You - Police (words and music by Sting)
Intro: |DmGm |DmGm| DmGm| DmGm
||: DmAm | Gm | Called you so many times today and I
DmAm | Gm | guess it's all true what your girl firends say that
DmAm | Gm | you don't ever want to see me again and your
DmAm | Gm | brother's gonna kill me and he's six foot ten and I
& <--come back here after you see "D.& al Coda" after second verse BbF | BbF | guess you'd call it cowardice but I'm
CG | CAsus4 | not prepared to go on like this I
Bb | Bb | can't I can't I can't stand losing I
Gm | Gm | can't I can't I can't stand losing I
(* first verse only) Asus4 | Asus4 | can't I can't I can't I can't stand losing
DmGm | DmGm |DmGm |DmGm | you I can't stand losing you I can't stand los-
DmGm | DmGm |DmGm |DmGm :|| -ing you I can't stand losing you
second verse (and in &): To Coda Asus4|Bb|Bb|Gm|Gm|Asus4|Asus4 | can't .......................loosing
<---- no lyrics here ----> Bb9|Bb9|C9|C9|Bb9|Bb9|C9 |C9 | I
Dm | guess this is our last goodbye and
D.& al Coda Dm |Dm|Dm|Dm|Dm|Dm|Dm | you don't care so..... ........on your head I
Coda: <--- repeat to fade ---> Asus4 ||: C |C|Asus4|Asus4|Bb|Bb :|| can't... ........ I