Biografía:
The New Pornographers son una agrupación canadiense formada en 1997 en Vancouver. Su música ha sido altamente influenciada por bandas de power pop como The Cars, aunque sus canciones son más melódicas y complejas.
The New Pornographers suele ser referida como una superbanda, ya que casi todos sus miembros han pertenecido o siguen perteneciendo a otras bandas populares solamente en Canadá. El líder de la banda, Carl Newman, seleccionó el nombre de la misma
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Otras canciones:
- My Rights Versus Yours
- Adventures In Solitude
- All For Swinging You Around
- All The Old Showstoppers
- All The Things That Go To Make Heaven And Earth
- Another Drug Deal Of The Heart
- Avalanche Alley
- Backstairs
- Ballad Of A Comeback Kid
- Bite Out Of My Bed
- Bleeding Heart Show
- Bones Of An Idol
- Born With A Sound
- Brill Bruisers
- Broken Breads
- Centre For Holy Wars
- Challengers
- Champions Of Red Wine
- Chump Change
- Colosseums
- Crash Years
- Dancehall Domine
- Darling Shade
- Daughters Of Sorrow
- Electric Child Of Witchcraft Rising
- Failsafe
- Falling Through Your Clothes
- Fantasy Fools
- From Blown Speakers
- Go Places
- Hey Snow White
- Hi
- High Art Local News
- High Ticket Attractions
- If You Cant See My Mirrors
- Its Only Divine Right
- Jackie
- Jessica Numbers
- Joseph Who Understood
- July Jones
- Letter From An Occupant
- Loose Translation
- Marching Orders
- Mass Romantic
- Miss Teen Wordpower
- Moves
- Mutiny I Promise You
- My Shepherd
- Mystery Hours
- Play Money
- Second Sleep
- Silver Jenny Dollar
- Sing Me In Spanish Techno
- Sing Me Spanish Techno
- Spidyr
- Spirit Of Giving
- Stacked Crooked
- Streets Of Fire
- Testament To Youth In Verse
- The Body Says No
- The Electric Version
- The End Of Medicine
- The Fake Headlines
- The Laws Have Changed
- The New Face Of Zero And One
- The Slow Descent Into Alcoholism
- These Are The Fables
- This Is The World Of The Theater
- Twin Cinema
- Unguided
- Up In The Dark
- Use It
- Valkyrie In The Roller Disco
- War On The East Coast
- We End Up Together
- Weve Been Here Before
- When I Was A Baby
- Whiteout Conditions
- Wide Eyes
- You Tell Me Where
- Your Daddy Dont Know
- Your Hands Together
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
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I made some notes at the end regarding the instrumental interlude.
Suggestions welcome. I don't know what anyone is singing at the end.
D C
You went looking for shelter...in all the wrong spaces
G A
You grew gluttonous and famous...with faces
G F#m
Nameless and blank, superstitiously you name them
Em F#m
St. Christopher and Johanna, St. Christopher and Johanna
G A
St. Christopher and Johanna
D
Overcome with the holiday spirit
C
Mark says the herald angels won't hear it
G
And remember, the wolves that you run with are wolves
A
Don't forget
G F#m
They exist to give you something to regret, I'll be there too
Em
with something sadder than that brass portrait
F#m
which shines through your morning, dim.
Em
Something sadder than that brass portrait
F#m
which shines through your morning, dim
D
I'll give you something to be sad about
C
Hey, the picture really capture your mouth
F#m
Poised to say: It's your turn to go down now,
G
it's your turn to go down now
A
It's your turn to go down now.
G
It's your turn to go down now...in the spirit of giving
D Dmaj7 D7 A7* x3 (*see below)
in
G D A
Cloud prayer Mary, come ah----on? etc
Notes:
*Asterisked chords aren't really chords, just a chromatic riff.
*But you can play G and A7 and get away with it, I think.
I think this is what the guitar plays. The note in parenthesis is just
meant to be a glimpse of where the repeat it going.
D Dmaj7 D7 G* A7*
----5-------5-------5-------5-------5-------5----------------- repeat
--7---7---7---7---7---7---7---7---7---7---7-------------------
7-------7-------6-------6-------5-------5------4-3-4-5-6-2-4-6-(7)
--------------------------------------------------------------
-----------------------------------------------2-1-2-3-4-0-2-4-(5)
--------------------------------------------------------------
The last time a guitar does something like this at the G-A7 spot
(note I changed it to G-D7 here) leading into the G D A part.
G* D7* G D A
----------------------
8-7-6-5-6---7---(8)---
----------------------
----------------------
----------------------
----------------------
Horns and whatnot do something like this at various times
D Dmaj7 D7 G* A7*
--------------------------------------------------------------repeat
3-------5---7---2-0--0-2--------1-0---0-1------0--------2-----(3)
--------------------2---------------2----------------------2--
--------------------------------------------------------------
--------------------------------------------------------------
--------------------------------------------------------------
I made some notes at the end regarding the instrumental interlude.
Suggestions welcome. I don't know what anyone is singing at the end.
D C
You went looking for shelter...in all the wrong spaces
G A
You grew gluttonous and famous...with faces
G F#m
Nameless and blank, superstitiously you name them
Em F#m
St. Christopher and Johanna, St. Christopher and Johanna
G A
St. Christopher and Johanna
D
Overcome with the holiday spirit
C
Mark says the herald angels won't hear it
G
And remember, the wolves that you run with are wolves
A
Don't forget
G F#m
They exist to give you something to regret, I'll be there too
Em
with something sadder than that brass portrait
F#m
which shines through your morning, dim.
Em
Something sadder than that brass portrait
F#m
which shines through your morning, dim
D
I'll give you something to be sad about
C
Hey, the picture really capture your mouth
F#m
Poised to say: It's your turn to go down now,
G
it's your turn to go down now
A
It's your turn to go down now.
G
It's your turn to go down now...in the spirit of giving
D Dmaj7 D7 A7* x3 (*see below)
in
G D A
Cloud prayer Mary, come ah----on? etc
Notes:
*Asterisked chords aren't really chords, just a chromatic riff.
*But you can play G and A7 and get away with it, I think.
I think this is what the guitar plays. The note in parenthesis is just
meant to be a glimpse of where the repeat it going.
D Dmaj7 D7 G* A7*
----5-------5-------5-------5-------5-------5----------------- repeat
--7---7---7---7---7---7---7---7---7---7---7-------------------
7-------7-------6-------6-------5-------5------4-3-4-5-6-2-4-6-(7)
--------------------------------------------------------------
-----------------------------------------------2-1-2-3-4-0-2-4-(5)
--------------------------------------------------------------
The last time a guitar does something like this at the G-A7 spot
(note I changed it to G-D7 here) leading into the G D A part.
G* D7* G D A
----------------------
8-7-6-5-6---7---(8)---
----------------------
----------------------
----------------------
----------------------
Horns and whatnot do something like this at various times
D Dmaj7 D7 G* A7*
--------------------------------------------------------------repeat
3-------5---7---2-0--0-2--------1-0---0-1------0--------2-----(3)
--------------------2---------------2----------------------2--
--------------------------------------------------------------
--------------------------------------------------------------
--------------------------------------------------------------
The Nitty-gritty (...)
The Noisettes
The Northern Hue (...)
The Notebook
The Noveltones