Biografía:
The New Pornographers son una agrupación canadiense formada en 1997 en Vancouver. Su música ha sido altamente influenciada por bandas de power pop como The Cars, aunque sus canciones son más melódicas y complejas.
The New Pornographers suele ser referida como una superbanda, ya que casi todos sus miembros han pertenecido o siguen perteneciendo a otras bandas populares solamente en Canadá. El líder de la banda, Carl Newman, seleccionó el nombre de la misma
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Otras canciones:
- My Rights Versus Yours
- Adventures In Solitude
- All For Swinging You Around
- All The Old Showstoppers
- All The Things That Go To Make Heaven And Earth
- Another Drug Deal Of The Heart
- Avalanche Alley
- Backstairs
- Ballad Of A Comeback Kid
- Bite Out Of My Bed
- Bleeding Heart Show
- Bones Of An Idol
- Born With A Sound
- Brill Bruisers
- Broken Breads
- Centre For Holy Wars
- Challengers
- Champions Of Red Wine
- Chump Change
- Colosseums
- Crash Years
- Dancehall Domine
- Darling Shade
- Daughters Of Sorrow
- Electric Child Of Witchcraft Rising
- Failsafe
- Falling Through Your Clothes
- Fantasy Fools
- From Blown Speakers
- Go Places
- Hey Snow White
- Hi
- High Art Local News
- High Ticket Attractions
- If You Cant See My Mirrors
- Its Only Divine Right
- Jackie
- Jessica Numbers
- Joseph Who Understood
- July Jones
- Letter From An Occupant
- Loose Translation
- Marching Orders
- Mass Romantic
- Miss Teen Wordpower
- Moves
- Mutiny I Promise You
- My Shepherd
- Mystery Hours
- Play Money
- Second Sleep
- Silver Jenny Dollar
- Sing Me In Spanish Techno
- Sing Me Spanish Techno
- Spidyr
- Spirit Of Giving
- Stacked Crooked
- Streets Of Fire
- Testament To Youth In Verse
- The Body Says No
- The Electric Version
- The End Of Medicine
- The Fake Headlines
- The Laws Have Changed
- The New Face Of Zero And One
- The Slow Descent Into Alcoholism
- These Are The Fables
- This Is The World Of The Theater
- Twin Cinema
- Unguided
- Up In The Dark
- Use It
- Valkyrie In The Roller Disco
- War On The East Coast
- We End Up Together
- Weve Been Here Before
- When I Was A Baby
- Whiteout Conditions
- Wide Eyes
- You Tell Me Where
- Your Daddy Dont Know
- Your Hands Together
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
It's Only Divine Right
The New Pornographers
from The Electric Version (2003)
Lyrics from http://www.thenewpornographers.com/
[Note: there's some lead-stuff going on in the song during
the parts that go from A to C# that is not reflected here.
People with better ears that I have can figure it out. Send
all corrections to [email protected]. Enjoy.]
Intro: C# F# x4
C# F#
Both eyes drinking cool water,
A G#
Not the first daughter so I can't see
C# F#
Why you're wrestling with words at last,
C# F#
A tradition you've long outclassed.
C# F#
Come true for the new martyrs,
A G#
With your hair parted like the Red Sea.
C# F#
You're addressing the world from your bed,
C# A E
All alone in the crowd like you said.
F# C#
Come true, it's only divine right.
F# C#
Come true, it's only divine right.
C# A F# x2
C# F#
Here's Leda in her white glory,
A G#
All her back-story has been wiped clean.
C# F#
Just another apocryphal mess,
C# F#
Never promised 'em anything less.
C# F#
So come true, these are safe waters
A G#
For the first daughter, so I can't see
C# F#
Why you're pushing the pull that you've had,
C# A E
While the rest of the girls go bad.
F# C#
Come true, it's only divine right.
F# C#
Come true, it's only divine right.
C# A F# x2
A C# x2
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
C# F# x4
C# F#
Face down in the old money,
A G#
Left the crowd wondering what your next move's
C# F#
Gonna be in the moments ahead,
C# A E
While the rest of the girls go bad.
F# C#
Come true, it's only divine right.
F# C#
Come true, it's only divine right.
C# A F# x2
A C# x2
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
A C# [repeat several times]
The New Pornographers
from The Electric Version (2003)
Lyrics from http://www.thenewpornographers.com/
[Note: there's some lead-stuff going on in the song during
the parts that go from A to C# that is not reflected here.
People with better ears that I have can figure it out. Send
all corrections to [email protected]. Enjoy.]
Intro: C# F# x4
C# F#
Both eyes drinking cool water,
A G#
Not the first daughter so I can't see
C# F#
Why you're wrestling with words at last,
C# F#
A tradition you've long outclassed.
C# F#
Come true for the new martyrs,
A G#
With your hair parted like the Red Sea.
C# F#
You're addressing the world from your bed,
C# A E
All alone in the crowd like you said.
F# C#
Come true, it's only divine right.
F# C#
Come true, it's only divine right.
C# A F# x2
C# F#
Here's Leda in her white glory,
A G#
All her back-story has been wiped clean.
C# F#
Just another apocryphal mess,
C# F#
Never promised 'em anything less.
C# F#
So come true, these are safe waters
A G#
For the first daughter, so I can't see
C# F#
Why you're pushing the pull that you've had,
C# A E
While the rest of the girls go bad.
F# C#
Come true, it's only divine right.
F# C#
Come true, it's only divine right.
C# A F# x2
A C# x2
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
C# F# x4
C# F#
Face down in the old money,
A G#
Left the crowd wondering what your next move's
C# F#
Gonna be in the moments ahead,
C# A E
While the rest of the girls go bad.
F# C#
Come true, it's only divine right.
F# C#
Come true, it's only divine right.
C# A F# x2
A C# x2
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
C# F#
Slip back through the plot
B G#
For the new shock, seeing us then,
F# G#
When we were the real people,
F# G#
We were the real people.
A C# [repeat several times]
The Nitty-gritty (...)
The Noisettes
The Northern Hue (...)
The Notebook
The Noveltones