Biografía:
Alan Parsons Project es un grupo británico de rock progresivo formado en 1975. Estaba liderado por Alan Parsons, Eric Woolfson y en él participaron varias alineaciones de músicos, así como el arreglista y director de orquesta Andrew Powell.
Alan Parsons, aunque músico de origen, colaboró con Pink Floyd en el álbum de 1973 "The Dark Side of the Moon",como ingeniero de sonido.
Cada uno aportaba su granito de arena al grupo: Alan Parsons como productor
Read more on Last.fm
Otras canciones:
- Eye In The Sky
- Ammonia Avenue
- Breakdown
- Children Of The Moon
- Closer To Heaven
- Damned If I Do
- Day After Day The Show Must Go On
- Days Are Numbers
- Dont Answer Me
- Dont Hold Back
- Dont Let It Show
- Freudiana
- Games People Play
- I Dont Wanna Go Home
- I Wouldnt Want To Be Like You
- If I Could Change Your Mind
- Inside Looking Out
- La Sagrada Familia
- Lets Talk About Me
- Light Of The World
- Limelight
- Little Hans
- May Be A Price To Pay
- Nothing Left To Lose
- Oh Life There Must Be More
- Old And Wise
- One Good Reason
- One More River
- Prime Time
- Psychobabble
- Separate Lives
- Shadow Of A Lonely Man
- Silence And I
- Since The Last Goodbye
- Some Other Time
- Sooner Or Later
- Standing On Higher Ground
- The Cask Of Amontillado
- The Eagle Will Rise Again
- The Same Old Sun
- The Voice
- Time
- To One Paradise
- Turn Of A Friendly Card
- Voyager
- Vulture Culture
- What Goes Up
- You Dont Believe
- Youre Gonna Get Your Fingers Burned
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
The Alan Parsons Project - You Don't Believe
Track #7, Ammonia Avenue
Intro:
C5 Bb5 Eb5 C5
e|----------------|----------------|
B|----------------|----------------|
G|555-----------8-|5---------------|
D|555---------8-8-|5---------------|
A|333---------8-6-|3---------------|
E|------------6---|----------------|
(Use same rhythm for verses, but for the bridge & chorus the chord
changes coincide with the start of the bars.)
[C5]My eyes [Bb5]with [Eb5]your [C5]vision
[Eb5]My choice but always [Eb5]your [F5]de[C5]cision
[C5]My play with [Bb5]your [Eb5]di[C5]rection
Well it's [Eb5]my lead but always [Eb5]your [F5]con[C5]nection
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
[C5]My words, [Bb5]your [Eb5]ex[C5]pression
[Eb5]My land, always [Eb5]your [F5]pos[C5]session
[C5]My song, [Bb5]your [Eb5]pro[C5]duction
[Eb5]My expense is always [Eb5]your [F5]de[C5]duction
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
[C5]My fame, [Bb5]your [Eb5]re[C5]flection
[Eb5]My weakness always [Eb5]your [F5]pro[C5]tection
Well it's [C5]my terms on [Bb5]your [Eb5]con[C5]ditions
And they're [Eb5]my tunes but they're your [Eb5]com[F5]po[C5]sitions
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
Track #7, Ammonia Avenue
Intro:
C5 Bb5 Eb5 C5
e|----------------|----------------|
B|----------------|----------------|
G|555-----------8-|5---------------|
D|555---------8-8-|5---------------|
A|333---------8-6-|3---------------|
E|------------6---|----------------|
(Use same rhythm for verses, but for the bridge & chorus the chord
changes coincide with the start of the bars.)
[C5]My eyes [Bb5]with [Eb5]your [C5]vision
[Eb5]My choice but always [Eb5]your [F5]de[C5]cision
[C5]My play with [Bb5]your [Eb5]di[C5]rection
Well it's [Eb5]my lead but always [Eb5]your [F5]con[C5]nection
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
[C5]My words, [Bb5]your [Eb5]ex[C5]pression
[Eb5]My land, always [Eb5]your [F5]pos[C5]session
[C5]My song, [Bb5]your [Eb5]pro[C5]duction
[Eb5]My expense is always [Eb5]your [F5]de[C5]duction
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
[C5]My fame, [Bb5]your [Eb5]re[C5]flection
[Eb5]My weakness always [Eb5]your [F5]pro[C5]tection
Well it's [C5]my terms on [Bb5]your [Eb5]con[C5]ditions
And they're [Eb5]my tunes but they're your [Eb5]com[F5]po[C5]sitions
But when I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
And the [C5]face I see be[G5]fore me
Is [Eb5]both sides of a [F5]mirror
You [Eb5]really know you've [F5]got a hold on [C5]me
And the [C5]face you're looking [G5]into
Is both [Eb5]sides of a [F5]window
And [Eb5]any way you [F5]look you see through [C5]me
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
When I [Eb5]look into your [F5]eyes you don't be[C5]lieve me [C5]
I can [Eb5]see it in your [F5]eyes you don't be[C5]lieve [C5]
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