Biografía:
Joni Mitchell (nacida como Roberta Joan Anderson el 7 de noviembre de 1943, en Alberta) es una músico y pintora canadiense. Comenzó su carrera musical en Toronto y en el oeste de Canadá, relacionándose posteriormente con la floreciente escena de folk de Nueva York de mediados de los sesenta. A lo largo de los años 70 amplió sus horizontes musicales, dirigiendo en especial su interés hacia el pop y el jazz, para convertirse en una de las cantantes y compositoras más respetadas de finales del siglo XX.
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Otras canciones:
- Big Yellow Taxi
- Both Sides Now
- California
- Circle Game
- River
- The Gallery
- A Case Of You
- All I Want
- Amelia
- Banquet
- Blonde In The Bleachers
- Blue
- Blue Boy
- Cactus Tree
- Car On A Hill
- Carey
- Chelsea Morning
- Conversation
- Court And Spark
- Coyote
- Dog Eat Dog
- Down To You
- Edith And The Kingpin
- Electricity
- For Free
- For The Roses
- Free Man In Paris
- Furry Sings The Blues
- Good Friends
- Help Me
- I Dont Know Where
- I Had A King
- Jericho
- Judgment Of The Moon And Stars
- Just Like This Train
- Ladies Of The Canyon
- Last Chance Lost
- Last Time I Saw Richard
- Let The Wind Carry Me
- Little Green
- Marcie
- Michael From Mountains
- Mitchell Tunings
- Morning Morgantown
- My Old Man
- Nathan La Franeer
- Night In The City
- Peoples Parties
- Rainy Night House
- Raised On Robbery
- Real Good For Free
- See You Sometime
- Sex Kills
- Shades Of Scarlet Conquering
- Sisotowbell Lane
- Slouching Towards Bethlehem
- Song To A Seagull
- Sweet Bird
- Tax Free
- That Song About The Midway
- The Circle Game
- The Dawntreader
- The Drinking Song
- The Pirate Of Penance
- The River
- The Same Situation
- Trouble Child
- Twisted
- Urge For Going
- Willy
- Woodstock
- You Turn Me On
- Yvette In English
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
“Blonde in the Bleachers”
by Joni Mitchell
Tabbed by Robin Young
[email protected]
Chords:
A: X02220
(A: X0222X use on quick E/A – A changes)
(A: X0XX20 use after Bm/A, after quick E/A – A changes)
A/D: XX0220
Am: X02210
Am/D: XX0210
Am7: X02010
Am7: X05550 use only once: in 2nd verse, on ‘soul’
Bm/A: X0X43X
Bm: X24432 bar 2nd fret
Bm7: X24232 bar 2nd fret
Bm7/E: 024232 bar 2nd fret
C: X32010
Cmaj7/F: 13300X play F on first string with thumb
D: XX0232
Dmaj7/G: 3X022X
D/C: X3023X
Dsus2: XX0230
E: 022100
E/A: X02100
(E/A: X0210X use on quick E/A – A changes)
Emaj7: 02110X
Em7sus2: 0X4430
Esus4: 022200
E6sus4: 022220
F: 13321X
Fmaj7: 133210 play F on first string with thumb
F#m/B: X42222 bar 2nd fret
F#m7: 242222 bar 2nd fret
G: 32003X
Chords in (parentheses) are optional—just slight variations with muting on the
regular chord that you only need if you’re being a perfectionist. Sound-wise, it
shouldn’t make much of a difference.
Intro: Am/D – Am7 – Fmaj7 – Dmaj7/G – G – Dmaj7/G – G
Am/D Am7
The blonde in the bleachers, she flips her hair for you,
Fmaj7 Dmaj7/G G Dmaj7/G G
A-bove the loudspeakers you start to fall.
Bm F#m/B A E/A
She follows you home, but you miss livin’ a-lone
F#m7 Bm7 E Esus4
You can still hear sweet mysteries cal-ling you.
C D/C C
The bands and the roadies, lo- vin’ ‘em and lea- vin’ ‘em
Emaj7 E6sus4 Cmaj7/F F A/D
It’s pleasure to try ‘em, it’s trouble to keep ‘em.
Am Em7sus2 A
‘Cause it seems like you’ve got- - -ta give up
Em7sus2 Am7 Em F#m
Such a piece of your soul when you give up the chase.
Dsus2 D Bm
Feeling it hot and cold, you’re in rock ‘n’ roll,
Esus4 A E/A – A – E/A - A
It’s the na- - ture of the race.
Bm/A A Dsus2 D Bm
It’s the un- - known child, so sweet and wild,
Esus4 A E/A – A – E/A - A
It’s youth, it’s too good to waste.
E/A – Am/D – Am7 – Fmaj7
Dmaj7/G – G – Dmaj7/G – G – Cmaj7/F – F
Fmaj7 D Bm7 Bm7/E A E/A
She tapes her re-grets to the mi- - crophone stand
A Dsus2 Bm7
She says, “You can’t hold the hand of a
Bm7/E A E/A A
rock ‘n’ roll man ve-ry long,
Dsus2 Bm7
Or count on your plans with a
Bm7/E A E/A A
rock ‘n’ roll man ve-ry long,
Dsus2 Bm7
Com-pete with the fans for your
Bm7/E A E/A A
rock ‘n’ roll man for ve-ry long,
Dsus2 Bm7 Bm7/E A Am7
The girls and the bands and the rock ‘n’ roll man.”
Ending:
Cmaj7/F – Fmaj7
A7
(saxophone interlude)
End on A7
by Joni Mitchell
Tabbed by Robin Young
[email protected]
Chords:
A: X02220
(A: X0222X use on quick E/A – A changes)
(A: X0XX20 use after Bm/A, after quick E/A – A changes)
A/D: XX0220
Am: X02210
Am/D: XX0210
Am7: X02010
Am7: X05550 use only once: in 2nd verse, on ‘soul’
Bm/A: X0X43X
Bm: X24432 bar 2nd fret
Bm7: X24232 bar 2nd fret
Bm7/E: 024232 bar 2nd fret
C: X32010
Cmaj7/F: 13300X play F on first string with thumb
D: XX0232
Dmaj7/G: 3X022X
D/C: X3023X
Dsus2: XX0230
E: 022100
E/A: X02100
(E/A: X0210X use on quick E/A – A changes)
Emaj7: 02110X
Em7sus2: 0X4430
Esus4: 022200
E6sus4: 022220
F: 13321X
Fmaj7: 133210 play F on first string with thumb
F#m/B: X42222 bar 2nd fret
F#m7: 242222 bar 2nd fret
G: 32003X
Chords in (parentheses) are optional—just slight variations with muting on the
regular chord that you only need if you’re being a perfectionist. Sound-wise, it
shouldn’t make much of a difference.
Intro: Am/D – Am7 – Fmaj7 – Dmaj7/G – G – Dmaj7/G – G
Am/D Am7
The blonde in the bleachers, she flips her hair for you,
Fmaj7 Dmaj7/G G Dmaj7/G G
A-bove the loudspeakers you start to fall.
Bm F#m/B A E/A
She follows you home, but you miss livin’ a-lone
F#m7 Bm7 E Esus4
You can still hear sweet mysteries cal-ling you.
C D/C C
The bands and the roadies, lo- vin’ ‘em and lea- vin’ ‘em
Emaj7 E6sus4 Cmaj7/F F A/D
It’s pleasure to try ‘em, it’s trouble to keep ‘em.
Am Em7sus2 A
‘Cause it seems like you’ve got- - -ta give up
Em7sus2 Am7 Em F#m
Such a piece of your soul when you give up the chase.
Dsus2 D Bm
Feeling it hot and cold, you’re in rock ‘n’ roll,
Esus4 A E/A – A – E/A - A
It’s the na- - ture of the race.
Bm/A A Dsus2 D Bm
It’s the un- - known child, so sweet and wild,
Esus4 A E/A – A – E/A - A
It’s youth, it’s too good to waste.
E/A – Am/D – Am7 – Fmaj7
Dmaj7/G – G – Dmaj7/G – G – Cmaj7/F – F
Fmaj7 D Bm7 Bm7/E A E/A
She tapes her re-grets to the mi- - crophone stand
A Dsus2 Bm7
She says, “You can’t hold the hand of a
Bm7/E A E/A A
rock ‘n’ roll man ve-ry long,
Dsus2 Bm7
Or count on your plans with a
Bm7/E A E/A A
rock ‘n’ roll man ve-ry long,
Dsus2 Bm7
Com-pete with the fans for your
Bm7/E A E/A A
rock ‘n’ roll man for ve-ry long,
Dsus2 Bm7 Bm7/E A Am7
The girls and the bands and the rock ‘n’ roll man.”
Ending:
Cmaj7/F – Fmaj7
A7
(saxophone interlude)
End on A7
Jony
Jordaan Mason An (...)
Jordan Clarke
Jordan Davis
Jordan Feliz