Biografía:
Jackson Browne - nombre completo Clyde Jackson Browne - (Heidelberg, 9 octubre 1948) es un cantautor estadounidense.
Sus canciones introspectivas y llenas de referencias literarias han hecho de él uno de los más influyentes exponentes de la música de la Costa Oeste de los años 70.
Brillante cantautor, guitarrista y pianista, con los años se ha hecho famoso también por su compromiso con las causas civiles y con el medio ambiente.
Se le puede comparar con Nick Drake y Neil Young
Read more on Last.fm
Otras canciones:
- Late For The Sky
- Lawyers In Love
- Sky Blue And Black
- The Birds Of St Marks
- These Days
- Running On Empty
- A Child In These Hills
- Alive In The World
- All Good Things
- Barricades Of Heaven
- Before The Deluge
- Boulevard
- Call It A Loan
- Casino Nation
- Cocaine
- Colors Of The Sun
- Daddys Tune
- Doctor My Eyes
- Enough Of The Night
- Everywhere I Go
- Farther On
- For A Dancer
- For America
- For Everyman
- Fountain Of Sorrow
- From Silver Lake
- From Silverlake
- Fuse
- Giving That Heaven Away
- Going Down To Cuba
- Here Come Those Tears Again
- Hold Out
- I Thought I Was A Child
- If I Could Be Anywhere
- Ill Do Anything
- Im Alive
- In The Shape Of A Heart
- Jamaica Say You Will
- Just Say Yeah
- Late Show
- Leaving Winslow
- Linda Paloma
- Live Nude Cabaret
- Lives In The Balance
- Looking Into You
- Love Needs A Heart
- Miles Away
- My Problem Is You
- Nothing But Time
- Of Missing Persons
- Off Of Wonderland
- Only Child
- Our Lady Of The Well
- Ready Or Not
- Red Neck Friend
- Redneck Friend
- Road
- Rock Me On The Water
- Rosie
- Shaky Town
- Sleeps Dark And Silent Gate
- Soldier Of Plenty
- Somebodys Baby
- Something Fine
- Song For Adam
- Standing In The Breach
- Stay
- Take It Easy
- Take This Rain
- Tender Is The Night
- The Barricades Of Heaven
- The Crow On The Cradle
- The Load
- The Naked Ride Home
- The Next Voice You Hear
- The Night Inside Me
- The Pretender
- The Rebel Jesus
- The Road
- The Road And The Sky
- The Times Youve Come
- The Word Justice
- Time The Conqueror
- Under A Falling Sky
- You Love The Thunder
- Your Bright Baby Blues
¡Cuatro años de duro trabajo!Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
<[email protected]>
To: [email protected]
Subject: CRDPRO: The Road by Jackson Browne
I have noticed a terrible lack of Browne stuff, so here is my little contribution. These are just the
but the original is played in finger picking style; if anyone is interested, I can try to transcribe it in TAB.
Bye,
Alberto Riva
[email protected]
Department of Computer and Systems Science
University of Pavia
Italy
---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here---
{title: The Road}
{st: Jackson Browne}
#
# By Alberto Riva
# [email protected]
#
{define G5+ 1 3 0 0 1 -1 3}
{define C/B 1 0 1 0 0 2 -1}
{define C#dim 4 0 2 1 2 1 0}
{define D7/F# 1 -1 1 2 0 0 2}
{define G/F# 1 3 0 0 0 -1 2}
{define Am7 1 0 1 0 2 0 0}
[G]Highways and D[G5+]ancehalls, A G[G]ood song takes you F[G5+]ar
[G]You write ab[G/F#]out the m[Em]oon and you d[C]ream ab[C/B]out the st[Am]ars...
[G]Blues in old mot[G5+]el rooms, g[G]irls in daddy's c[G5+]ars
[G]You sing ab[G/F#]out the n[Em]ight and you l[C]augh ab[C/B]out the sc[Am]ars...
[G]Coffee in the m[G5+]orning, c[G]ocaine aftern[G5+]oons
[G]You talk ab[G/F#]out the w[Em]eather and you gr[C]in ab[C/B]out the r[Am]ooms...
[G]Phone calls long d[G5+]istance to t[G]ell you how you've b[G5+]een
[G]You forget ab[G/F#]out the l[Em]osses, you ex[C]agger[C/B]ate the w[Am]ins...
{soc}
[Em]And when you st[Am7]op to let them kn[C#dim]ow you've got it d[C]own...
It's j[C]ust an[C/B]other t[Am7]own al[D7/F#]ong the r[G]oad.
{eoc}
[G]Ladies come to s[G5+]ee you, if your n[G]ame still rings a b[G5+]ell
[G]They give you d[G/F#]amn' near n[Em]othin' and they'll s[C]ay the kn[C/B]ew you w[Am]ell...
So you t[G]ell'em you'll rem[G5+]ember, but they kn[G]ow it's just a g[G5+]ame
And al[G]ong the w[G/F#]ay their f[Em]aces all beg[C]in to l[C/B]ook the s[Am]ame...
{comment: Chorus}
Well it [G]isn't for the m[G5+]oney and it's [G]only for a wh[G5+]ile,
[G]You stalk ab[G/F#]out the r[Em]ooms and you r[C]oll aw[C/B]ay the m[Am]iles...
[G]Gamblers in the n[G5+]eon, cl[G]ingin' to guit[G5+]ars,
[G]You write ab[G/F#]out the m[Em]oon and you're wr[C]ong ab[C/B]out the st[Am]ars...
{comment: Chorus}
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
<[email protected]>
To: [email protected]
Subject: CRDPRO: The Road by Jackson Browne
I have noticed a terrible lack of Browne stuff, so here is my little contribution. These are just the
but the original is played in finger picking style; if anyone is interested, I can try to transcribe it in TAB.
Bye,
Alberto Riva
[email protected]
Department of Computer and Systems Science
University of Pavia
Italy
---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here--- ---Cut Here---
{title: The Road}
{st: Jackson Browne}
#
# By Alberto Riva
# [email protected]
#
{define G5+ 1 3 0 0 1 -1 3}
{define C/B 1 0 1 0 0 2 -1}
{define C#dim 4 0 2 1 2 1 0}
{define D7/F# 1 -1 1 2 0 0 2}
{define G/F# 1 3 0 0 0 -1 2}
{define Am7 1 0 1 0 2 0 0}
[G]Highways and D[G5+]ancehalls, A G[G]ood song takes you F[G5+]ar
[G]You write ab[G/F#]out the m[Em]oon and you d[C]ream ab[C/B]out the st[Am]ars...
[G]Blues in old mot[G5+]el rooms, g[G]irls in daddy's c[G5+]ars
[G]You sing ab[G/F#]out the n[Em]ight and you l[C]augh ab[C/B]out the sc[Am]ars...
[G]Coffee in the m[G5+]orning, c[G]ocaine aftern[G5+]oons
[G]You talk ab[G/F#]out the w[Em]eather and you gr[C]in ab[C/B]out the r[Am]ooms...
[G]Phone calls long d[G5+]istance to t[G]ell you how you've b[G5+]een
[G]You forget ab[G/F#]out the l[Em]osses, you ex[C]agger[C/B]ate the w[Am]ins...
{soc}
[Em]And when you st[Am7]op to let them kn[C#dim]ow you've got it d[C]own...
It's j[C]ust an[C/B]other t[Am7]own al[D7/F#]ong the r[G]oad.
{eoc}
[G]Ladies come to s[G5+]ee you, if your n[G]ame still rings a b[G5+]ell
[G]They give you d[G/F#]amn' near n[Em]othin' and they'll s[C]ay the kn[C/B]ew you w[Am]ell...
So you t[G]ell'em you'll rem[G5+]ember, but they kn[G]ow it's just a g[G5+]ame
And al[G]ong the w[G/F#]ay their f[Em]aces all beg[C]in to l[C/B]ook the s[Am]ame...
{comment: Chorus}
Well it [G]isn't for the m[G5+]oney and it's [G]only for a wh[G5+]ile,
[G]You stalk ab[G/F#]out the r[Em]ooms and you r[C]oll aw[C/B]ay the m[Am]iles...
[G]Gamblers in the n[G5+]eon, cl[G]ingin' to guit[G5+]ars,
[G]You write ab[G/F#]out the m[Em]oon and you're wr[C]ong ab[C/B]out the st[Am]ars...
{comment: Chorus}
Jacqueline Chang
Jacqueline Zegle (...)
Jacques Arsenaul (...)
Jacques Brel
Jacques Dutronc