Biografía:
En el conocido sello Stiff Ian Dury y los Blockheads grabaron una serie de discos muy aprovechables dentro de la escena new wave. El inglés Dury nació el 12 de mayo de 1942 en la localidad de Upminster, Essex.
En su niñez sufrió la polio, hecho que condicionaría su físico. Después de terminar en el instituto, estudió arte y mientras daba clases de pintura decidió que dejaba el pincel, por lo menos profesionalmente, para intentar buscarse un hueco en la música.
Read more on Last.fm
Otras canciones:
- Billericay Dickie
- Blackmail Man
- Blockheads
- Hit Me With Your Rhythm Stick
- Im Partial To Your Abracadabra
- Itinerant Child
- Lullaby For Francis
- My Old Man
- Profoundly In Love With Pandora
- Sweet Gene Vincent
- There Aint Half Been Some Clever Bastards
- Uncoolohol
- Wake Up And Make Love With Me
- What A Waste
- Youre More Than Fair
¡Cuatro años de duro trabajo!
Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
Este mes de mayo cumplimos cuatro años al aire. Seguimos trabajando en la difusión de este maravilloso instrumento, ¡gracias por participar en nuestra historia!
...I'M PARTIAL TO YOUR ABRACADABRA... by Ian Dury & The Blockheads
-------------------------------------.............................
*from 'New Boots and Panties!!' (1977)*
Intro:
B, B A
Verse 1:
B B A
I'm partial to your abracadabra;
G D E
En-raptured by the joy of it all.
F# D#7 G#m
So stop me where you start, the cockles of his heart,
D C#7 B
The panties sends it right up the wall.
Verse 2:
B B A
Please, please, stop it; it likes it,
G D E
Tickles it to death either way.
F# D#7 G#m
These lovely boots exist, to drive it round the twist;
D C#7 B
The call of nature must be o-beyed.
Chorus 1:
B A B A E7
Glad it's over, but this is worse.
B A B A
Could hardly say, it had been co-erced.
G7 F#7
Stop it cos it likes it, it's worse.
Verse 3:
B B A
I'm partial to your abracadabra;
G D E
The unforeseen e-rogenous zones.
F# D#7 G#m
Stop, it insists; slap it with your wrists;
D C#7 B
It likes it when you leave it a-lone.
Solo:
G, B A, G D E, F#, D#7 G#m, D C#7 B
Verse 4:
B B A
There's been a manifestation;
G D E
Nature made it answer the call.
F# D#7 G#m
It simply can't resist, boots and pants like this;
D C#7 B
Abraca-dabra for all.
Chorus 2:
B A B A E7
Glad it's over, but this is worse.
B A B A
Roll it over; too per-verse,
G7 F#7
Stop it cos it likes it, it's worse.
Coda:
B B A
I'm partial to your abracadabra,
B B A
I'm partial to your abracadabra.
B B A
I'm partial to your abracadabra,
B B A
I'm partial to your abracadabra.
(Repeat to Fade)
CHORD DIAGRAMS:
---------------
B A G D E F#
EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
799877 577655 355433 x57775 x79997 244322
D#7 G#m G7 F#7 C#7 E7
EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
x68686 466444 353433 242322 x46464 x79797
Tabbed by Joel from cLuMsY, Bristol, England, 2006 (clumsyband@hotmail.com)
-------------------------------------.............................
*from 'New Boots and Panties!!' (1977)*
Intro:
B, B A
Verse 1:
B B A
I'm partial to your abracadabra;
G D E
En-raptured by the joy of it all.
F# D#7 G#m
So stop me where you start, the cockles of his heart,
D C#7 B
The panties sends it right up the wall.
Verse 2:
B B A
Please, please, stop it; it likes it,
G D E
Tickles it to death either way.
F# D#7 G#m
These lovely boots exist, to drive it round the twist;
D C#7 B
The call of nature must be o-beyed.
Chorus 1:
B A B A E7
Glad it's over, but this is worse.
B A B A
Could hardly say, it had been co-erced.
G7 F#7
Stop it cos it likes it, it's worse.
Verse 3:
B B A
I'm partial to your abracadabra;
G D E
The unforeseen e-rogenous zones.
F# D#7 G#m
Stop, it insists; slap it with your wrists;
D C#7 B
It likes it when you leave it a-lone.
Solo:
G, B A, G D E, F#, D#7 G#m, D C#7 B
Verse 4:
B B A
There's been a manifestation;
G D E
Nature made it answer the call.
F# D#7 G#m
It simply can't resist, boots and pants like this;
D C#7 B
Abraca-dabra for all.
Chorus 2:
B A B A E7
Glad it's over, but this is worse.
B A B A
Roll it over; too per-verse,
G7 F#7
Stop it cos it likes it, it's worse.
Coda:
B B A
I'm partial to your abracadabra,
B B A
I'm partial to your abracadabra.
B B A
I'm partial to your abracadabra,
B B A
I'm partial to your abracadabra.
(Repeat to Fade)
CHORD DIAGRAMS:
---------------
B A G D E F#
EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
799877 577655 355433 x57775 x79997 244322
D#7 G#m G7 F#7 C#7 E7
EADGBE EADGBE EADGBE EADGBE EADGBE EADGBE
x68686 466444 353433 242322 x46464 x79797
Tabbed by Joel from cLuMsY, Bristol, England, 2006 (clumsyband@hotmail.com)
