Biography:
David Bazan (born January 22, 1976) is an indie rock singer/songwriter from Edmonds, Washington. Bazan (pronounced "buh-zahn") is the lead singer and creative force behind the band Pedro the Lion and was the lead singer of Headphones, a band he formed out of his interest in synthesizers. He then released an album under his name, David Bazan.
Bazan began his musical career by playing drums in the band The Guilty (later named Coolidge) with fellow songwriter Damien Jurado in 1995.
Read more on Last.fm
Other songs:
- Devil Is Beating His Wife
- Animals
- Bearing Witness
- Bless This Mess
- Both Hands Over My Eyes
- Cold Beer And Cigarettes
- Curse Your Branches
- Deny Myself
- Disappearing Ink
- Dont Change
- Fewer Broken Pieces
- Flirted With You All My Life
- Forest Fires
- Graduation
- Hallelujah
- Hard To Be
- Harmless Sparks
- Heavy Breath
- Heavy Breather
- Ill At Ease
- Impermanent Record
- In Stitches
- Kept Secrets
- Little Landslides
- Little Motor
- Lost My Shape
- Nobodys Perfect
- People
- Please Baby Please
- Selling Advertising Acoustic
- Shit Talker
- Someone Elses Bet
- Sparkling Water
- Strange Negotiations
- Trouble With Boys
- Weeds In The Wheat
- When We Fell
- With You
- Wolves At The Door
- Wont Let Go
Four years of hard work!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
David Bazan: Fewer Broken Pieces (acoustic)
Tabbed by: Steve White (stevimus@gmail.com)
Capo: 3rd fret
G#dim7: 4-x-3-4-x-1--|
Fmaj7/c: 1-3-3-2-1-0--| (play the bass note w/ your thumb. He slightly embellishes it
pulling off and on with his first and second finger)
VERSE 1:
C/G F Am Em
If you make a reference to some trouble, that you know
F G C/G
Can it help you keep it under control?
E Am Em
Or should I really re---consider
F C/G
My reasons for going solo
Dm Em G
David byrne on Bob Costas, puts it pretty well
G#dim7
But I put it better
CHORUS:
Am C/G Fmaj7/C
I still run the show
C/G G
Don't you forget it
Am C/G Fmaj7/C F
So I had to let some go
C/G G
Don't think I don't regret it
Am C/G Fmaj7/C C G
Cause I do and I don't think I'm better off alone
INTERLUDE:
A|:-5-5-3-3-3-3-3-3-5-5-3-3-3-3-3-3-7-7-5-5-5-5-5-5-7-7-5-5-5-5-5-5-|
E|:-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-| x2
F G
Man I could have, had a, big sound
F G G#dim7
But I love to, let my, friends down
Fmaj7/C C/G Dm Em Am
Fmaj7/C C/G Dm Em G
VERSE 2:
Fmaj7/C C/G Dm Em Am
Fewer moving parts means fewer broken pieces
Fmaj7/C C/G Dm Em G
When every other start requires a brand new theosis
Fmaj7/C C/G G#dim7
One good friend remarks with a rightfully angry:
Am C/G Fmaj7/C C/G
"Jesus dude! None of us know what to do with you"
Dm Em
To which I in my pride responded
G
"I've got news for you:
G#dim7
None of you have to, cause"
Back to the chorus
through the interlude, end on C/g.
Tabbed by: Steve White (stevimus@gmail.com)
Capo: 3rd fret
G#dim7: 4-x-3-4-x-1--|
Fmaj7/c: 1-3-3-2-1-0--| (play the bass note w/ your thumb. He slightly embellishes it
pulling off and on with his first and second finger)
VERSE 1:
C/G F Am Em
If you make a reference to some trouble, that you know
F G C/G
Can it help you keep it under control?
E Am Em
Or should I really re---consider
F C/G
My reasons for going solo
Dm Em G
David byrne on Bob Costas, puts it pretty well
G#dim7
But I put it better
CHORUS:
Am C/G Fmaj7/C
I still run the show
C/G G
Don't you forget it
Am C/G Fmaj7/C F
So I had to let some go
C/G G
Don't think I don't regret it
Am C/G Fmaj7/C C G
Cause I do and I don't think I'm better off alone
INTERLUDE:
A|:-5-5-3-3-3-3-3-3-5-5-3-3-3-3-3-3-7-7-5-5-5-5-5-5-7-7-5-5-5-5-5-5-|
E|:-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-1-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-| x2
F G
Man I could have, had a, big sound
F G G#dim7
But I love to, let my, friends down
Fmaj7/C C/G Dm Em Am
Fmaj7/C C/G Dm Em G
VERSE 2:
Fmaj7/C C/G Dm Em Am
Fewer moving parts means fewer broken pieces
Fmaj7/C C/G Dm Em G
When every other start requires a brand new theosis
Fmaj7/C C/G G#dim7
One good friend remarks with a rightfully angry:
Am C/G Fmaj7/C C/G
"Jesus dude! None of us know what to do with you"
Dm Em
To which I in my pride responded
G
"I've got news for you:
G#dim7
None of you have to, cause"
Back to the chorus
through the interlude, end on C/g.
