Biography:
Coheed and Cambria is an American progressive rock band from Nyack, New York. Formed in 2001, the group incorporates aspects of progressive rock, punk rock, metal, post-hardcore, emo and alternative rock. The band currently consists of Claudio Sanchez (vocals, guitars, keyboards), Travis Stever (guitars, vocals), Josh Eppard (drums, keyboards, backing vocals), and Zach Cooper (bass, backing vocals). Most of Coheed and Cambria's albums are concept albums based on a science fiction storyline called The Amory Wars
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Other songs:
- Far
- In Keeping Secrets Of Silent Earth 3
- Mother Superior
- Random Reality Shift
- Wake Up
- Welcome Home
- en-US
- 2S My Favorite 1
- 33
- A Favor House Atlantic
- Atlas
- Away We Go
- Black Sunday
- Blood Red Summer
- Colors
- Cuts Marked In The March Of Men
- Dark Side Of Me
- Deranged
- Devil In Jersey City
- Eraser
- Everything Evil
- Feathers
- Here To Mars
- Here We Are Juggernaut
- I Shall Be Released
- Iron Fist
- Island
- Junesong Provision
- Justice In Murder
- Key Entity Extraction V Sentry The Defiant
- Lucky Stars
- Number City
- Old Flames
- Once Upon Your Dead Body
- Peace To The Mountain
- Pearl Of The Stars
- The Afterman
- The Camper Velourium I Faint Of Hearts
- The Camper Velourium Iii Al The Killer
- The Crowing
- The Dark Sentencer
- The Echomaker
- The End Complete Ii Radio Bye Bye
- The End Complete Iv The Road And The Damned
- The Gutter
- The Hound Of Blood And Rank
- The Light And The Glass
- The Pavilion A Long Way Back
- The Running Free
- The Suffering
- Three Evils Embodied In Love And Shadow
- Time Consumer
- Unheavenly Creatures
- Young Love
Four years of hard work!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Three Evils Embodied in Love and Shadow
by Coheed and Cambria.
All I've ever wanted with guitar is to strum some chords and jam out my favorite songs.
There weren't any chord diagrams for this song, so imaedit.
Disclaimer: The Chords throughout the Verses aren't song acurate, They serve for simplicty of playing and
will play through the song nicely. these chords create a simpler rythm when attempting to sing
and play at first. This helps find where all those syllables fit in the song. If you're like me, you'll end up
replacing this simpler pattern for the trickier intro pattern you here in the song.
Also, The intro I have listed isn't song accurate either, but a simplier substitute that will work for
intro and throughout the verses.
[Intro]
A Asus4 F# Dsus4
Asus4 Essentially looks like: EADGBE x0223x
Dsus4? Essentially looks like: EADGBE xx003x
[Verse 1]
A F# E A F# E A
Across the floor, in the hand of where we drove the drill
A F# E
A cautious ear to the mouth of your confession
B5
Think of all the things we put him through
In the face of his god, would he tell the truth?
A F# E A F# E
Still, recorded were the words that dribbled out his kiss
A F# E
When eyes go blind in this man of what could once become
B5
Sever the limbs off his torso, in sleep
And burn what remains, so the world may now see
A F# E A F# E A
No longer will we wait for your answers
A F# E
Back to the hell where you've come from
B5
Think of all the times you've once had
C#5 D5
Write them in a letter that says "goodbye" uh-uh ah aye, anye- uh ah aye
[Pre-Chorus]
Asus2 B5 F#
You'll listen to rea-son
G D5 C#5
While you're face down in the dirt
Asus2 B5 F#
You'll stomach the hurt and break for him, here
G D5 C#5
Just how much he's worth
[Verse 2]
A F# E A F# E
Slowly discarded were the remains of his lonely youth
A F# E
Among the alley, where the dwellers scare to notice
B5
Picture a young boy in pieces and streets with leveled
Malfunctions, no name to be called redeemer
A F# E A F# E A
We'll fix him, restore him
A F# E
With the love is no other
B5
Think of all the things you did before
C#5 D5
Write them in a letter that says "reborn"
[Pre-Chorus]
Asus2 B5 F#
You'll listen to rea-son
G D5 C#5
While you're face down in the dirt
Asus2 B5 F#
You'll stomach the hurt and break for him, here
G D5 C#5
Just how much he's worth
[Bridge]
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!
[Pre-Chorus]
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
Throughout these last choruses I have the first Emaj listed for simplicity. When I play this song I use a
more subtle Ab Chord (Which is really Emaj Omitting the 2nd fret A string note)x02100. It adds a subtle warmth
and creates the fluid descension of notes heard in the song, rather than the jumping to-and-fro of notes we
hear previously in the song. Of course the Emaj works great for keeping the song simple to play through.
Also, the D5 for these choruses I play with open chords. (Which is a Dmaj omitting the 2nd fret high E string
note). EADGBE x00230
And lastly, the C#5 is optional. It gives it that signature coheed sound we hear throughout their music.
Totally optional though, the song plays just fine without it.
All these suggestions completley optional of course! These are just the basic notes, feel free to play
whichever way sounds best to you!
[Chorus]
Asus2 E
Dear, my friends
F#
In the time we've spent
E
Forever after, beyond this
D5
When will our nightmare ever end, end, end?
Asus2 E
Dear, my friends
In the time we've spent
E
Forever after, beyond this
D5
When will our nightmare ever end, end, end?
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5 Asus2
Forever you will, forever you will learn
by Coheed and Cambria.
All I've ever wanted with guitar is to strum some chords and jam out my favorite songs.
There weren't any chord diagrams for this song, so imaedit.
Disclaimer: The Chords throughout the Verses aren't song acurate, They serve for simplicty of playing and
will play through the song nicely. these chords create a simpler rythm when attempting to sing
and play at first. This helps find where all those syllables fit in the song. If you're like me, you'll end up
replacing this simpler pattern for the trickier intro pattern you here in the song.
Also, The intro I have listed isn't song accurate either, but a simplier substitute that will work for
intro and throughout the verses.
[Intro]
A Asus4 F# Dsus4
Asus4 Essentially looks like: EADGBE x0223x
Dsus4? Essentially looks like: EADGBE xx003x
[Verse 1]
A F# E A F# E A
Across the floor, in the hand of where we drove the drill
A F# E
A cautious ear to the mouth of your confession
B5
Think of all the things we put him through
In the face of his god, would he tell the truth?
A F# E A F# E
Still, recorded were the words that dribbled out his kiss
A F# E
When eyes go blind in this man of what could once become
B5
Sever the limbs off his torso, in sleep
And burn what remains, so the world may now see
A F# E A F# E A
No longer will we wait for your answers
A F# E
Back to the hell where you've come from
B5
Think of all the times you've once had
C#5 D5
Write them in a letter that says "goodbye" uh-uh ah aye, anye- uh ah aye
[Pre-Chorus]
Asus2 B5 F#
You'll listen to rea-son
G D5 C#5
While you're face down in the dirt
Asus2 B5 F#
You'll stomach the hurt and break for him, here
G D5 C#5
Just how much he's worth
[Verse 2]
A F# E A F# E
Slowly discarded were the remains of his lonely youth
A F# E
Among the alley, where the dwellers scare to notice
B5
Picture a young boy in pieces and streets with leveled
Malfunctions, no name to be called redeemer
A F# E A F# E A
We'll fix him, restore him
A F# E
With the love is no other
B5
Think of all the things you did before
C#5 D5
Write them in a letter that says "reborn"
[Pre-Chorus]
Asus2 B5 F#
You'll listen to rea-son
G D5 C#5
While you're face down in the dirt
Asus2 B5 F#
You'll stomach the hurt and break for him, here
G D5 C#5
Just how much he's worth
[Bridge]
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!
F# Asus2 B5 C#5 D5
(Following you across the interstate, walking away!)
D5 F#
Walking away, I'll fire on!
[Pre-Chorus]
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
B5
On the wrong way out
D5 C#5 Asus2
On the causeway to neverwhere
Throughout these last choruses I have the first Emaj listed for simplicity. When I play this song I use a
more subtle Ab Chord (Which is really Emaj Omitting the 2nd fret A string note)x02100. It adds a subtle warmth
and creates the fluid descension of notes heard in the song, rather than the jumping to-and-fro of notes we
hear previously in the song. Of course the Emaj works great for keeping the song simple to play through.
Also, the D5 for these choruses I play with open chords. (Which is a Dmaj omitting the 2nd fret high E string
note). EADGBE x00230
And lastly, the C#5 is optional. It gives it that signature coheed sound we hear throughout their music.
Totally optional though, the song plays just fine without it.
All these suggestions completley optional of course! These are just the basic notes, feel free to play
whichever way sounds best to you!
[Chorus]
Asus2 E
Dear, my friends
F#
In the time we've spent
E
Forever after, beyond this
D5
When will our nightmare ever end, end, end?
Asus2 E
Dear, my friends
In the time we've spent
E
Forever after, beyond this
D5
When will our nightmare ever end, end, end?
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5
Forever you will, forever you will learn
Asus2
Pull the trigger and the nightmare stops
E
Pull the trigger and the nightmare stops
F#
Pull the trigger and the nightmare stops
E D5 C#5 Asus2
Forever you will, forever you will learn
