My take on this wonderful song, un-capo'd and I think more accurate than the previous version.
B* B**
e-----------------0----------------------------------------------|
B-----------------4----------------------------------------------|
G------------4----6----------------------------------------------|
D------------1----4----------------------------------------------|
A------------2---------------------------------------------------|
E----------------------------------------------------------------|
&& - Throw in a F#sus4 or even a 244302 (F#add4; use your thumb)
Intro:
Abm F# B
E B
don't you cherish me to sleep
E B
never keep your eyelids clipped
Abm F#
hold me for the pops and clicks
E B
I was only for the father's crib
E B*
Abm F# B
hair, old, long along
E B
your neck onto your shoulder blades
E B
always keep that message taped
Abm F#
cross your breasts you won't erase
E B
I was only for your very space
Abm F# B
hip, under nothing
E B
propped up by your other one, face 'way from the sun
E B
just have to keep a dialogue
Abm F#
teach our bodies: haunt the cause
E B
I was only trying to spell a loss
Abm F# B
joy, it's all founded
E B
pincher with the skin inside
E B
you pinned me with your black sphere eyes
Abm F#
you know that all the rope's untied
E B B**
I was only for to die beside
C#m Abm
B
so it's storming on the lake
F#
little waves our bodies break
C#m Abm
B
there's a fire going out,
F#
but there's really nothing to the south
C#m Abm
B
swollen ocean and light let through
F#
your one piece swimmer stuck to you
B**
B
sold, I'm ever
E B
open ears and open eyes
E B
wake up to your starboard bride
Abm F#
who goes in and then stays inside
E B
oh the demons come, they can subside
B**
Notes:
Where the B** is played, the interesting thing here is that there are two
guitars doing different things, the right one plays a Bsus4 and the left
plays a normal B, which gives that weird sound. So I've compromised.
The F# in the 'stormy on the lake' part can be played 244302, which sounds nice.