blahblahblah
A C#m
Come along with me now 'cause there are
D A
Things I've been dying to tell you
A E
The best or the worst things that you
Bm A
Never needed to know
A C#m
This is the kind of comedy where no one's
D A
Laughing 'cause it's hard to...
A E
I'm a punch line who's punch-drunk with my
Bm D
Fist in a broken mirror...
A
There's a party near by
E Bm
I can hear
A E Bm D
Laughter in the distance and it all comes clear
A E Bm Dm
Sounds too simple, but love is the only answer
C#m Bm
Everything else is just a train-wreck
A C#m D A
A E Bm A
A C#m D A
Gonna stay up all night every night for the rest of my life
A E Bm A
Till the lines around my eyes grow deeper and more defined
A C#m D A
You might ask me "Aren't you dead inside and so damn tired?"
A E Bm D
I say i have no idea but I'm not sleeping until after the
A E Bm
dying is over I can hear
A E Bm D
Laughter in the distance and it all comes clear
A E Bm Dm
Sounds too simple, but love is the only answer
C#m Bm
Love's a trainwreck, you're a mistake
A C#m D A
A E Bm A
A C#m D A
A E Bm Bm
Dm Dm C#m Bm
A
Sometimes it's more convenient to play the barre chord than the open chord.
Also, at the end of the lines in the verses, he likes to play the C# (note, not chord)
the A chord (second fret on the b string if you're playing an open A chord or sixth fret
the g string if you're playing the barre chord.
If this doesn't make sense, disregard it.