Biography:
Rainer Maria is an emo band formed in Madison, Wisconsin in 1995. Bassist Caithlin De Marrais, guitarist Kaia Fischer, and drummer William Kuehn formed the band in the late summer of 1995 and named the band after the German poet Rainer Maria Rilke. They're known for their poetic lyrics and resounding metaphors. The lineup never changed during their eleven-year career.
In its earlier days, the band had duel vocals performed by De Marrais and Fischer; later, De Marrais would become the lead vocalist in the majority of their songs.
Read more on Last.fm
Other songs:
- Ears Ring
- Alchemy
- Already Lost
- Artificial Light
- Atlantic
- Atropine
- Automatic
- Blackbird
- Bottle
- Breakfast For Champions
- Broke Open Love
- Broken Radio
- Burn
- Catastrophe
- Centrifuge
- Ceremony
- Clear And True
- Communicator
- Ct Catholic
- Feeling Neglected
- Floors
- Forest Mattress
- Hell And High Water
- Hellebore
- Ill Make You Mine
- Im Melting
- Life Of Leisure
- Long Knives
- Lost Dropped And Cancelled
- Lower Worlds
- Mystery And Misery
- Ornaments Of Empty
- Planetary
- Possession
- Rise
- Save My Skin
- Situation Relation
- Soul Singer
- Southpaw
- Spit And Fire
- Suicides And Lazy Eyes
- Terrified
- The Awful Truth Of Loving
- The Contents Of Lincolns Pockets
- The Double Life
- The Imperatives
- The Reason The Night Is Long
- The Seven Sisters
- There Will Be No Light
- Thought I Was
- Tinfoil
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Rainer Maria
Mystery And Misery
Long Knives Drawn
2003
Submitted by: [email protected]
Key: F#, B
Tuning: Standard EADGBe
Chords used:
F# - 244322
B - x24442
E - 022100
Ebm - x68876
C#m - x46654
Verse 1:
F# B
misrepresented
F#
initially you
looked like
you’d looked
like you’d
B
been sainted
Refrain 1:
E
but now I am
B
acquainted
E
with your dark
B
eyes and dirty mind
Verse 2:
F# B
was it uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
Refrain 2:
E
is your age
B
a good indication?
E
cuz you won’t
let on to me
F#
what you know or
you don’t know
Chorus 1:
B
and you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
B
you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
Ebm
but oh you’re wicked
C#m
you look so wicked
Chorus 2:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m
you look so wicked
Bridge:
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
B
all the time
Verse 3:
F# B
misrepresented
F#
initially you
looked like
you’d looked to
me like you’d
B
been sainted
Verse 4:
F# B
was I uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
(Repeat Refrain 2)
(Repeat Chorus 1)
Chorus 3:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m B(hold)
you look so wicked
Mystery And Misery
Long Knives Drawn
2003
Submitted by: [email protected]
Key: F#, B
Tuning: Standard EADGBe
Chords used:
F# - 244322
B - x24442
E - 022100
Ebm - x68876
C#m - x46654
Verse 1:
F# B
misrepresented
F#
initially you
looked like
you’d looked
like you’d
B
been sainted
Refrain 1:
E
but now I am
B
acquainted
E
with your dark
B
eyes and dirty mind
Verse 2:
F# B
was it uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
Refrain 2:
E
is your age
B
a good indication?
E
cuz you won’t
let on to me
F#
what you know or
you don’t know
Chorus 1:
B
and you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
B
you’ve got a
certain detached
E
glare and I know
what you’re getting
around to maybe
you’re already there
Ebm
but oh you’re wicked
C#m
you look so wicked
Chorus 2:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m
you look so wicked
Bridge:
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
well I can
B
read your eyes
F#
so say I’m the
B
one you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
F#
I’m the one
B
you like
B
all the time
Verse 3:
F# B
misrepresented
F#
initially you
looked like
you’d looked to
me like you’d
B
been sainted
Verse 4:
F# B
was I uncalculated?
F#
you took me by surprise
getting all worked
B
up under the table
(Repeat Refrain 2)
(Repeat Chorus 1)
Chorus 3:
B
from the beginning
I made it clear
E
what I expected
but now I might
regret that cuz
B
mystery and misery
can sometimes be
E
a call to action
and can be a
source of passion
Ebm
but oh you’re wicked
C#m B(hold)
you look so wicked
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