Biography:
Pat Benatar is a four-time Grammy winning musician with six platinum and four gold albums to her credit. Singing such hit singles as "I Need a Lover", "Heartbreaker", "Fire and Ice", "Treat Me Right", "Hit Me with Your Best Shot", "Hell Is for Children", "Shadows of the Night", and "Love Is a Battlefield", Benatar is acknowledged as one of the leading female rock vocalists in the industry.
She was born in the neighborhood of Greenpoint in Brooklyn, New York City, New York on January 10, 1953 as Patricia Andrzejewski.
Read more on Last.fm
Other songs:
- Hit Me With Your Best Shot
- Love Is A Battlefield
- Shadows Of The Night
- We Belong
- A Crazy World Like This
- All Fired Up
- Bloodshot Eyes
- Dont Walk Away
- Every Time I Fall Back
- Fight It Out
- Fire And Ice
- Hard To Believe
- Heartbreaker
- Hell Is For Children
- I Dont Want To Be Your Friend
- I Need A Lover
- I Want Out
- Invincible
- Looking For A Stranger
- Love In The Ice Age
- My Clone Sleeps Alone
- Papas Roses
- Prisoner Of Love
- Promises In The Dark
- Purgatory
- Rated X
- Run Between The Raindrops
- Sex As A Weapon
- Shine
- Shooting Star
- Somebodys Baby
- Suffer The Little Children
- Temporary Heroes
- The Victim
- Too Long A Soldier
- Treat Me Right
- True Love
- We Live For Love
- You And I
- You Better Run
Four years of hard work!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
In Standard Tuning
Key = E minor
Em
You really do know how to strut that stuff (strut that stuff)
You really do know how to act tough (act tough)
D Bm
Your body's just like a centerfold (centerfold)
C D Em
A fantasy (a fantasy) anyone would want to hold
Stop using sex as a weapon, stop using sex as a weapon
G C D
You know you're already my obsession
Am F G
Stop (stop) using sex as a weapon
Em C D
Love is more than a one-way reflection
Am F D A
Stop (stop) using sex as a weapon
Em
With looks that kill and a mind that's twisted (twisted)
I don't know why I can't resist it (resist it)
D Bm
I tell myself look the other way (other way)
C D
When you want me to (when you want me to)
Em
I, I always stay
Stop using sex as a weapon, stop using sex as a weapon
G C D
You know you're already my obsession
Am F G
Stop (stop) using sex as a weapon
Em C D
Love is more than a one-way reflection
Am F D
Stop (stop) using sex as a weapon
A
G
You play with desire like it was a toy
A G
How much affection can you destroy?
A
C
You wrap my heart around your little finger
D
sex, sex, sex, sex, sex, sex, sex, sex, sex, sex, sex, sex,
sex as a weapon
Em
Guitar Solo:
Em . . .
D Bm C D
Em
Stop using sex as a weapon
Repeat Chorus and Fade . . .
Key = E minor
Em
You really do know how to strut that stuff (strut that stuff)
You really do know how to act tough (act tough)
D Bm
Your body's just like a centerfold (centerfold)
C D Em
A fantasy (a fantasy) anyone would want to hold
Stop using sex as a weapon, stop using sex as a weapon
G C D
You know you're already my obsession
Am F G
Stop (stop) using sex as a weapon
Em C D
Love is more than a one-way reflection
Am F D A
Stop (stop) using sex as a weapon
Em
With looks that kill and a mind that's twisted (twisted)
I don't know why I can't resist it (resist it)
D Bm
I tell myself look the other way (other way)
C D
When you want me to (when you want me to)
Em
I, I always stay
Stop using sex as a weapon, stop using sex as a weapon
G C D
You know you're already my obsession
Am F G
Stop (stop) using sex as a weapon
Em C D
Love is more than a one-way reflection
Am F D
Stop (stop) using sex as a weapon
A
G
You play with desire like it was a toy
A G
How much affection can you destroy?
A
C
You wrap my heart around your little finger
D
sex, sex, sex, sex, sex, sex, sex, sex, sex, sex, sex, sex,
sex as a weapon
Em
Guitar Solo:
Em . . .
D Bm C D
Em
Stop using sex as a weapon
Repeat Chorus and Fade . . .
