Biography:
Okkervil River is an indie/folk rock band from Austin, Texas USA. Formed in 1998, the band takes its name from a short story by Russian author Tatyana Tolstaya. The band currently consists of Will Sheff (vocals, guitar), Will Graefe (guitar), Sarah K. Pedinotti (keyboards), Benjamin Lazar Davis (bass) and Cully Symington (drums).
The band self-released their first album, Stars Too Small to Use, which led them to the South by Southwest music festival.
Read more on Last.fm
Other songs:
- A Favor (guitar Solo)
- A Stone
- Lost Coastlines
- Maine Island Lovers
- Our Life Is Not A Movie Or Maybe
- Plus Ones
- Song Of Our So-called Friend
- Westfall
- A Girl In Port
- A Glow
- A Hand To Take Hold Of The Scene
- A King And A Queen
- All The Time Everyday
- Another Radio Song
- Auntie Alice
- Black
- Black Nemo
- Black Sheep Boy
- Blanket And Crib
- Blue Tulip
- Bruce Wayne Campbell Interviewed On The Roof Of The Chelsea Hotel 1979
- Calling And Not Calling My Ex
- Comes Indiana Through The Smoke
- Dead Faces
- Do What You Gotta Do
- Dont Move Back To La
- Down Down The Deep River
- Famous Tracheotomies
- For Real
- For The Enemy
- From A Cutlass Cruiser
- Get Big
- Hanging From A Hit
- Happy Hearts
- It Ends With A Fall
- It Was My Season
- John Allyn Smith Sails
- Kansas City
- Lady Liberty
- Lay Of The Last Survivor
- Lido Pier Suicide Car
- Lines
- Listening To Otis Redding At Home During Christmas
- Love To A Monster
- Mary On A Wave
- No Hidden Track
- No Key No Plan
- Oh Precious
- Okkervil River Rip
- Okkervil River Song
- On A Balcony
- On Tour With Zykos
- Pink Slips
- Piratess
- Pop Lie
- Presidents Dead
- Red
- Rider
- Seas Too Far To Reach
- She Would Look For Me
- Simon Smith And The Amazing Dancing Bear
- Singer Songwriter
- So Come Back I Am Waiting
- Song About A Star
- Song Of Our So
- Starry Stairs
- The Industry
- The Latest Toughs
- The Next Four Months
- The Rise
- The Valley
- The War Criminal Rises And Speaks
- Title Track
- Unless Its Kicks
- Wake And Be Fine
- We Need A Myth
- Where The Spirit Left Us
- White
- White Shadow Waltz
- Yellow
- You Cant Hold The Hand Of A Rock And Roll Man
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Okkervil River - "Some Come Back, I Am waiting"
From: Black Sheep Boy
Tabbed by: Dave
E-mail: [email protected]
Should all be good. Feel free to e-mail with questions or comments.
CHORDS USED IN THIS SONG:
Am: x02210
C: x32010
F: x03211 (See note)
G: 320003
Dm: xx0231
Dsus: xx0233
A: x02220
D: xx0232
NOTE: For all of the F chords, he only plays the full chord (133211) when he says "In
eyes" for the second time. I've
marked it with a *. All the other F chords are played like this: x03211.
INTRO:
*It's basically just chords, but I included all the picked notes too*
Am C F
e|------0---------------1-----0-------0----|
B|-----1---------1------1---------1--------|
G|----2----------0---0--2-------2----------|
D|---2------2-0--2---0--3---3-------3------|
A|--0-------0----3---3---------------------|
E|-----------------------------------------|
C G Dm Dsus
e|--------0--------------1-----3-----3---3-------|
B|--------1-----0---0-0--3-----3-----3---3-------|
G|-----0----0---0---0-0--2---2-2-------2---2-----|
D|--0--2----2-0-0---0-0--0---0-0-------0---0-----|
A|--3--3----3-2-2--------------------------------|
E|--------------3--------------------------------|
FIRST VERSE:
Am C F C G Dm Dsus Dm
A black sheep boy revolves over canyons and waterfalls.
Am C F C G
Dm Dsus
A black sheep boy dissolves in syringe or in shower stall.
FIRST CHORUS:
Dm
He says
C G Dm F
“there’s plenty of time to make you mine tonight,
C G Dm
there’s plenty of time to make you mine.”
He says
C G Dm
“there’s plenty of ways to know you’re not dying,
F
all right.
C G Dm
Hell, there’s plenty of light still left in your eyes.”
F*
In your eyes.
FIRST PRE-VERSE:
Am C F C G Dm
SECOND VERSE:
Am C F C
A black sheep boy grows horns,
G Dm
breathing smoke through his microphone.
Am C F C
Dm
The airwaves stretch and they groan, bleeding, birthing his black diapason.
SECOND CHORUS:
He says
C G Dm F
“there’s plenty of things to wear when you come to me,
C G Dm
every color of sleeve to be rolled.
C G Dm F
There are millions of rolling eyes that still cling to me.
C G Dm
Every language of king is concerned.
BRIDGE:
Am
So why
Dm
did you bawl
G D A
from the spell of some old holy song
G D A
that some liar laughed as he composed,
G D A
some liar I loved to control?”
SECOND PRE-VERSE:
*I included both the chords and the faint guitar in the background*
Am C F C G
Dsus
e|-------------1--1---1----|--0-----------1---1---1-3----3-3--|
B|-------------1--1---1----|----3-1-0-----3---3---3-3----3-3--|
G|-------------2----2---2--|----------2-0-2-----2---2----2-2--|
D|---------0-2-3----3---3--|--------------0-----0--------0-0--|
A|--0--2-3-----------------|----------------------------------|
E|-------------------------|----------------------------------|
Am C F C G
Dsus
e|-------------1--1---1----|--0---------------1---1-3--|
B|-------------1--1---1----|----3-1-0---------3---3-3--|
G|-------------2----2---2--|----------2-0-2-----2---2--|
D|---------0-2-3----3---3--|--------------------0---0--|
A|--0--2-3-----------------|---------------------------|
E|-------------------------|---------------------------|
THIRD VERSE:
*For the first 4 lines there's no guitar, but the bass copies the notes the guitar would
playing*
Am C F Am
A black sheep boy dissolves
C F Am
in hot cream, in sweet moans,
C F Am
in each dead bed and empty home,
C F Am
in each seething bacterium.
C F
Killing softly and serial,
C G Dm
he lifts his head, handsome, horned, magisterial.
C G Dm
He's the smell of the moonlight wisteria.
C G Dm
He’s the thrill of the abecedarian.
C G Dm
(See the muddy hoofprints where he carried yo
THIRD CHORUS:
C G Dm F
And there’s plenty of ways to claim his crimes tonight,
C G Dm
and there’s plenty of things to do on his dime.
C G Dm F
And there’s plenty of ways to wear his hide tonight.
C G Dm
You’ve got yours and I’ve got mine.
C G Dm
You’ve got yours and I’ve got mine.
OUTRO:
Dm
So why
Am
did you flee?
G D A
Don’t you know you can’t leave his control
G D A
only call all his wild works your own?
G D A
So come back and we’ll take them all on.
G D A
So come back to your life on the lam.
G D A
So come back to your old black sheep man.
He says
G D A
“I am waiting on hoof and on hand.
G D A
I am waiting, all hated and damned.
G D A
I am waiting, I snort and I stamp.
G D A D
I am waiting, you know that I am,
G D A
calmly waiting to make you my lamb”
From: Black Sheep Boy
Tabbed by: Dave
E-mail: [email protected]
Should all be good. Feel free to e-mail with questions or comments.
CHORDS USED IN THIS SONG:
Am: x02210
C: x32010
F: x03211 (See note)
G: 320003
Dm: xx0231
Dsus: xx0233
A: x02220
D: xx0232
NOTE: For all of the F chords, he only plays the full chord (133211) when he says "In
eyes" for the second time. I've
marked it with a *. All the other F chords are played like this: x03211.
INTRO:
*It's basically just chords, but I included all the picked notes too*
Am C F
e|------0---------------1-----0-------0----|
B|-----1---------1------1---------1--------|
G|----2----------0---0--2-------2----------|
D|---2------2-0--2---0--3---3-------3------|
A|--0-------0----3---3---------------------|
E|-----------------------------------------|
C G Dm Dsus
e|--------0--------------1-----3-----3---3-------|
B|--------1-----0---0-0--3-----3-----3---3-------|
G|-----0----0---0---0-0--2---2-2-------2---2-----|
D|--0--2----2-0-0---0-0--0---0-0-------0---0-----|
A|--3--3----3-2-2--------------------------------|
E|--------------3--------------------------------|
FIRST VERSE:
Am C F C G Dm Dsus Dm
A black sheep boy revolves over canyons and waterfalls.
Am C F C G
Dm Dsus
A black sheep boy dissolves in syringe or in shower stall.
FIRST CHORUS:
Dm
He says
C G Dm F
“there’s plenty of time to make you mine tonight,
C G Dm
there’s plenty of time to make you mine.”
He says
C G Dm
“there’s plenty of ways to know you’re not dying,
F
all right.
C G Dm
Hell, there’s plenty of light still left in your eyes.”
F*
In your eyes.
FIRST PRE-VERSE:
Am C F C G Dm
SECOND VERSE:
Am C F C
A black sheep boy grows horns,
G Dm
breathing smoke through his microphone.
Am C F C
Dm
The airwaves stretch and they groan, bleeding, birthing his black diapason.
SECOND CHORUS:
He says
C G Dm F
“there’s plenty of things to wear when you come to me,
C G Dm
every color of sleeve to be rolled.
C G Dm F
There are millions of rolling eyes that still cling to me.
C G Dm
Every language of king is concerned.
BRIDGE:
Am
So why
Dm
did you bawl
G D A
from the spell of some old holy song
G D A
that some liar laughed as he composed,
G D A
some liar I loved to control?”
SECOND PRE-VERSE:
*I included both the chords and the faint guitar in the background*
Am C F C G
Dsus
e|-------------1--1---1----|--0-----------1---1---1-3----3-3--|
B|-------------1--1---1----|----3-1-0-----3---3---3-3----3-3--|
G|-------------2----2---2--|----------2-0-2-----2---2----2-2--|
D|---------0-2-3----3---3--|--------------0-----0--------0-0--|
A|--0--2-3-----------------|----------------------------------|
E|-------------------------|----------------------------------|
Am C F C G
Dsus
e|-------------1--1---1----|--0---------------1---1-3--|
B|-------------1--1---1----|----3-1-0---------3---3-3--|
G|-------------2----2---2--|----------2-0-2-----2---2--|
D|---------0-2-3----3---3--|--------------------0---0--|
A|--0--2-3-----------------|---------------------------|
E|-------------------------|---------------------------|
THIRD VERSE:
*For the first 4 lines there's no guitar, but the bass copies the notes the guitar would
playing*
Am C F Am
A black sheep boy dissolves
C F Am
in hot cream, in sweet moans,
C F Am
in each dead bed and empty home,
C F Am
in each seething bacterium.
C F
Killing softly and serial,
C G Dm
he lifts his head, handsome, horned, magisterial.
C G Dm
He's the smell of the moonlight wisteria.
C G Dm
He’s the thrill of the abecedarian.
C G Dm
(See the muddy hoofprints where he carried yo
THIRD CHORUS:
C G Dm F
And there’s plenty of ways to claim his crimes tonight,
C G Dm
and there’s plenty of things to do on his dime.
C G Dm F
And there’s plenty of ways to wear his hide tonight.
C G Dm
You’ve got yours and I’ve got mine.
C G Dm
You’ve got yours and I’ve got mine.
OUTRO:
Dm
So why
Am
did you flee?
G D A
Don’t you know you can’t leave his control
G D A
only call all his wild works your own?
G D A
So come back and we’ll take them all on.
G D A
So come back to your life on the lam.
G D A
So come back to your old black sheep man.
He says
G D A
“I am waiting on hoof and on hand.
G D A
I am waiting, all hated and damned.
G D A
I am waiting, I snort and I stamp.
G D A D
I am waiting, you know that I am,
G D A
calmly waiting to make you my lamb”
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