Biography:
The Menzingers originally formed after the dissolution of Bob And The Sagets, a band local to the Scranton/Wilkes-Barre area of Pennsylvania. With the addition of Greg Barnett the band recorded a demo/self-released album "A Lesson In The Abuse Of Information Technology" in 2006.
Shortly thereafter they were signed by Go-Kart Records and re-recorded the songs from "A Lesson" and re-released their album with the addition of some new tracks.
At the Fest VII in Gainesville
Read more on Last.fm
Other songs:
- After The Party
- Ava House
- Bad Catholics
- Black Mass
- Boy Blue
- Burn After Writing
- Casey
- Charlies Army
- Coal City Blues
- Even For An Eggshell
- Freedom Bridge
- Gates
- Good Things
- Home Outgrown
- House On Fire
- I Cant Seem To Tell
- I Dont Wanna Be An Asshole Anymore
- I Was Born
- Irish Goodbyes
- Kentucky Gentlemen
- Livin Aint Easy
- Lookers
- Male Call
- Mexican Guitars
- Midwestern States
- My Friend Chris
- Nice Things
- No Ticket
- Obituaries
- On The Impossible Past
- Red White And Blues
- Richard Coury
- Rodent
- Sun Hotel
- Sun Hotel Pt 2
- Sunday Morning
- Tasker
- Tellin Lies
- The Bars
- The Obituaries
- The Shakes
- They Speak Of My Drinking But Never Of My Thirst
- Thick As Thieves
- Time Tables
- To Have And To Have Not
- Toy Soldier
- Transient Love
- When You Died
- Where Your Heartache Exists
- Whos Your Partner
- Your Wild Years
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
This is Sun Hotel pt 2, the version that appears on On the Possible Past, and is arguably better than the
version on the LP.
It's capo on 5 in standard tuning (or capo 6 in half-step down)
It's pretty easy, you just have to get the voicings right. Gadd11 is a normal G with the 1st fret of the
B string played. The regular Gs have the 3rd fret of the B string played, and G* has the B string open.
For each F, leave out the low E string. C/B is just C with A string on the 2nd fret, the D string open.
For the instrumental parts (C-C-Am-G), alternate between the open high e string, and the 3rd fret of the
e string for the C and Am. The G is just normal. I hope I explained that well, because I'm pretty sure of
this tabs accuracy. Enjoy.
C C/B Am F
I remember you well at the Sun Hotel
C Gadd11 Am
Next to Fernando's Corner Store Grocery
C C/B Am F
Behind the factory spoils where no souls should be found
F (F) G
We kept our voices low from the city
Am Gadd11 C F
I played you a song about the town that I was from
F G
While Dan played "Casey" while sipping on a Mickey's
Am Gadd11 C F
We drank to forget that our lives were a wreck
F G
That's when I realized you were the only pretty thing left
C (C) Am G x2
C C/B Am F
I remember you well at the Sun Hotel
C Gadd11 Am
Where we were famous, and our hearts were fucking legends
C C/B Am F
And you told me again,"Greg I prefer more handsomer men,
F Gadd11 G*
but for you tonight I will make an exception."
Am Gadd11 C F
You were clenching your fists, you were biting your upper lip
F G
I watched a thousand tiny goosebumps gain territory of your skin
Am Gadd11 C F
And for whatever this is worth, I was happy, I was sure of everything
C (C) Am G
Am F
But you got away
C F
Yeah didn't you babe?
C F Am
But you got away and I never once heard you say "I need you."
Em Am
Well I don't need you, God I need you
Em Am
Well I don't need you, God I need you
Em F
Well I don't need you, God I need you
G
I don't need you I don't need you I don't need you
C (C) Am G x2
C C/B Am F
I don't mean to suggest that I loved you the best
C C/B Am F
No, I don't mean to suggest that I loved you the best
C C/B Am F
I don't mean to suggest that I loved you the best
(F)
That's it, That's it
C
I don't even think of you that often.
version on the LP.
It's capo on 5 in standard tuning (or capo 6 in half-step down)
It's pretty easy, you just have to get the voicings right. Gadd11 is a normal G with the 1st fret of the
B string played. The regular Gs have the 3rd fret of the B string played, and G* has the B string open.
For each F, leave out the low E string. C/B is just C with A string on the 2nd fret, the D string open.
For the instrumental parts (C-C-Am-G), alternate between the open high e string, and the 3rd fret of the
e string for the C and Am. The G is just normal. I hope I explained that well, because I'm pretty sure of
this tabs accuracy. Enjoy.
C C/B Am F
I remember you well at the Sun Hotel
C Gadd11 Am
Next to Fernando's Corner Store Grocery
C C/B Am F
Behind the factory spoils where no souls should be found
F (F) G
We kept our voices low from the city
Am Gadd11 C F
I played you a song about the town that I was from
F G
While Dan played "Casey" while sipping on a Mickey's
Am Gadd11 C F
We drank to forget that our lives were a wreck
F G
That's when I realized you were the only pretty thing left
C (C) Am G x2
C C/B Am F
I remember you well at the Sun Hotel
C Gadd11 Am
Where we were famous, and our hearts were fucking legends
C C/B Am F
And you told me again,"Greg I prefer more handsomer men,
F Gadd11 G*
but for you tonight I will make an exception."
Am Gadd11 C F
You were clenching your fists, you were biting your upper lip
F G
I watched a thousand tiny goosebumps gain territory of your skin
Am Gadd11 C F
And for whatever this is worth, I was happy, I was sure of everything
C (C) Am G
Am F
But you got away
C F
Yeah didn't you babe?
C F Am
But you got away and I never once heard you say "I need you."
Em Am
Well I don't need you, God I need you
Em Am
Well I don't need you, God I need you
Em F
Well I don't need you, God I need you
G
I don't need you I don't need you I don't need you
C (C) Am G x2
C C/B Am F
I don't mean to suggest that I loved you the best
C C/B Am F
No, I don't mean to suggest that I loved you the best
C C/B Am F
I don't mean to suggest that I loved you the best
(F)
That's it, That's it
C
I don't even think of you that often.
The Merseybeats
The Mess Inside
The Metasciences
The Meters
The Methadones
The Mighty Stef
The Mighty Wah
The Mike Bochoff (...)
The Mike Flowers (...)
The Mile After