Biography:
Suzanne Vega (born Suzanne Nadine Vega on 11 July 1959 in Santa Monica, California) is an American singer-songwriter noted for her eclectic folk-inspired music. Two of Vega's songs (both from her second album Solitude Standing, 1987) reached the top 10 of various international chart listings: " Luka" and "Tom's Diner".
Though born in California, Vega has lived most of her life in New York City. There, she attended the High School of the Performing Arts (the school seen in the feature film musical Fame), where she studied modern dance.
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Other songs:
- Marlene On The Wall
- Tom's Diner
- Angels Doorway
- Bad Wisdom
- Caramel
- Fools Complaint
- Frank Ava
- Frank Eva
- Freeze Tag
- Gypsy
- I Never Wear White
- In Liverpool
- Ironboundfancy Poultry
- Knight Moves
- Language
- Left Of Center
- Luka
- New York Is A Woman
- Night Vision
- Ny Is A Woman
- Penitent
- Pornographers Dream
- Queen And The Soldier
- Rock In This Pocket
- Rosemary
- Small Blue Thing
- Solitude Standing
- Songs In Red And Gray
- Straight Lines
- The Man Who Played God
- Toms Diner
- Undertow
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Another great song by the legend that is Suzanne Vega.
EDIT - slightly modified some chords.
This one has some "weird sounding" chords because of the finger picking.
They're not wrong, I think Suzanne either has two guitars or a prominent bass.
Bit unsure of the "if you wonder" part".
These chords work with the song, but you can jazz it up a bit if you wish.
You can hammer on the Am chord at the beginning.
Not saying how you HAVE to play it - just do what you feels best!
CAPO ON TWO (Three for live performances)
Chords used (please read!):
Am x 0 2 2 1 0
Gbass 3 0 0 0 x x (you can just play G as I have notated in the tab)
F 1 3 3 2 1 1
Cbass x 3 0 0 0 x (you can just play C as I have notated in the tab)
Asus2 x 0 2 2 0 x
Csus2 x 3 5 5 3 x
Fsus2 x x 3 0 1 1
Gsus2 x x 5 2 3 3
Bsus2 x 2 4 4 2 x
Am C F G (x2)
Am C
Watch while the queen
F G
In one false move
Am C F G
Turns herself into a pawn
Am C
Sleepy and shaken
F G
And watching while the blurry night
Am C F G
Turns into a very clear dawn
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Am C
One false move
F G
And a secret prophecy
Am C
Well, if you hold it against her,
F G
First hold it up and see
Am C
That it's one side stone, one side fire
F G Am C F
Standing alone among all men's desire
G
They want to know
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Asus2
And if you wonder
Csus2
What I am doing
Fsus2
As I am heading
Gsus2
For the sink
Asus2 Csus2
I am spitting out all the bitterness
Fsus2 Gsus2
Along with half of my last drink
Asus2
I am thinking
Csus2
Of your woman
Fsus2 Gsus2
Who is crying in the hall
Asus2 Csus2
It's like drinking gasoline to quench a thirst
Csus2 Bsus2
Until there's nothing there left at all
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Am C
"Walk on the blind side"?
F G
Was the answer to the joke
Am C
It's said there isn't a political bone
F G
In her body
Am C
She would rather be a riddle
F G
But she keeps challenging the future
Am C F G
With a profound lack of history
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Am C
Watch while the queen
F G
In one false move
Am C F G
Turns herself into a pawn
Am C
Sleepy and shaken
F G
And watching while the blurry night
Am C F G
Turns into a very clear dawn
Am C F G
Do you love me? (x5 to end)
Hope this sounds right!
EDIT - slightly modified some chords.
This one has some "weird sounding" chords because of the finger picking.
They're not wrong, I think Suzanne either has two guitars or a prominent bass.
Bit unsure of the "if you wonder" part".
These chords work with the song, but you can jazz it up a bit if you wish.
You can hammer on the Am chord at the beginning.
Not saying how you HAVE to play it - just do what you feels best!
CAPO ON TWO (Three for live performances)
Chords used (please read!):
Am x 0 2 2 1 0
Gbass 3 0 0 0 x x (you can just play G as I have notated in the tab)
F 1 3 3 2 1 1
Cbass x 3 0 0 0 x (you can just play C as I have notated in the tab)
Asus2 x 0 2 2 0 x
Csus2 x 3 5 5 3 x
Fsus2 x x 3 0 1 1
Gsus2 x x 5 2 3 3
Bsus2 x 2 4 4 2 x
Am C F G (x2)
Am C
Watch while the queen
F G
In one false move
Am C F G
Turns herself into a pawn
Am C
Sleepy and shaken
F G
And watching while the blurry night
Am C F G
Turns into a very clear dawn
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Am C
One false move
F G
And a secret prophecy
Am C
Well, if you hold it against her,
F G
First hold it up and see
Am C
That it's one side stone, one side fire
F G Am C F
Standing alone among all men's desire
G
They want to know
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Asus2
And if you wonder
Csus2
What I am doing
Fsus2
As I am heading
Gsus2
For the sink
Asus2 Csus2
I am spitting out all the bitterness
Fsus2 Gsus2
Along with half of my last drink
Asus2
I am thinking
Csus2
Of your woman
Fsus2 Gsus2
Who is crying in the hall
Asus2 Csus2
It's like drinking gasoline to quench a thirst
Csus2 Bsus2
Until there's nothing there left at all
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Am C
"Walk on the blind side"?
F G
Was the answer to the joke
Am C
It's said there isn't a political bone
F G
In her body
Am C
She would rather be a riddle
F G
But she keeps challenging the future
Am C F G
With a profound lack of history
Am C
Do you love any, do you love none,
F G
Do you love many, can you love one,
Am C F G
Do you love me?
Am C
Do you love any, do you love none,
F G
Do you love twenty, can you love one,
Am C F G
Do you love me?
Am C
Watch while the queen
F G
In one false move
Am C F G
Turns herself into a pawn
Am C
Sleepy and shaken
F G
And watching while the blurry night
Am C F G
Turns into a very clear dawn
Am C F G
Do you love me? (x5 to end)
Hope this sounds right!
Swedish House Ma (...)
Sweet
Sweet Thing
Swiss Army Man
Switchfoot
Syml
Synastry
Syntax
Sys Bjerre
System Of A Down