Biography:
Yo La Tengo is an American indie rock band formed in Hoboken, New Jersey in 1984. Since 1992, the lineup has consisted of Ira Kaplan (guitars, vocals), Georgia Hubley (drums, vocals), and James McNew (bass, vocals).
Despite achieving limited mainstream success, Yo La Tengo has been called "the quintessential critics' band" and maintain a strong cult following. Additionally, the band is renowned for its encyclopedic repertoire of cover songs both in live performance and on record.
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Other songs:
- My Little Corner Of The World
- Season Of The Shark
- Tears Are In Your Eyes
- Almost True
- Alyda
- Andalucia
- Automatic Doom
- Autumn Sweater
- Barnaby Hardly Working
- Beanbag Chair
- Big Day Coming
- Black Flowers
- Blue Line Swinger
- By The Time It Gets Dark
- Cant Forget
- Center Of Gravity
- Closin Time
- Deeper Into Movies
- Did I Tell You
- Double Dare
- Dreaming
- Drug Test
- Emulsified
- From A Motel 6
- Griselda
- I Feel Like Going Home
- I Should Have Known Better
- If Its True
- Lets Save Tony Orlandos House
- Lewis
- Little Honda
- Magnet
- More Stars Than There Are In Heaven
- Mr Tough
- My Hearts Not In It
- Needle Of Death
- Night Falls On Hoboken
- Nothing To Hide
- Nowhere Near
- One Pm Again
- Our Way To Fall
- Paddle Forward
- Saturday
- Shadows
- Stockholm Syndrome
- Straight Down To The Bitter End
- Sugarcube
- Take Care
- The Cone Of Silence
- The Race Is On Again
- The River Of Water
- The Story Of Yo La Tango
- The Summer
- The Weakest Part
- The Whole Of The Law
- Tom Courtenay
- Tried So Hard
- Were An American Band
- Yellow Sarong
- You Can Have It All
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E F#7 F#m
i got in a tussle
F#m B E
with a stranger on the train
E F#7 F#m
his face was familiar
F#m B G#m
but i couldn't place the name
G#m C#
it got to be ugly
C# G#m
threats were made
G#m C# B
i hope that no-one who could see
Bbm A G#
would be someone who'd know you
E F#7 F#m
i had a small run-in
F#m B E
with a driver and his wife
E F#7 F#m
you might call it road rage
F#m B G#m
but the guy outdid the light
G#m C#
conceding nothing
C# G#m
i held my ground
G#m C#
and now that it's over
B Bb
i've said that there must be
A G# C#
a better way
C# C#m
i keep it in mind
C# C#m
eight times out of nine
C# C#m
i'm wrong or i'm right
F# C#m
it's not worth a fight
C# C#m
but what's hard to define
C# C#m
makes it tough to decide
C# C#m
you don't realize
F# G#
until after it has begun
F# G#
whether this is the one
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
G#m C#
conceding nothing
C# G#m
i held my ground
G#m C#
and now that it's over
B Bbm
i've said that there must be
A G# C#
a better way
C# C#m
i keep it in mind
C# C#m
eight times out of nine
C# C#m
i'm wrong or i'm right
F# C#m
it's not worth a fight
C# C#m
but what's hard to define
C# C#m
makes it tough to decide
C# C#m
you don't realize
F# G#
until after it has begun
F# G#
whether this is the one
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
i got in a tussle
F#m B E
with a stranger on the train
E F#7 F#m
his face was familiar
F#m B G#m
but i couldn't place the name
G#m C#
it got to be ugly
C# G#m
threats were made
G#m C# B
i hope that no-one who could see
Bbm A G#
would be someone who'd know you
E F#7 F#m
i had a small run-in
F#m B E
with a driver and his wife
E F#7 F#m
you might call it road rage
F#m B G#m
but the guy outdid the light
G#m C#
conceding nothing
C# G#m
i held my ground
G#m C#
and now that it's over
B Bb
i've said that there must be
A G# C#
a better way
C# C#m
i keep it in mind
C# C#m
eight times out of nine
C# C#m
i'm wrong or i'm right
F# C#m
it's not worth a fight
C# C#m
but what's hard to define
C# C#m
makes it tough to decide
C# C#m
you don't realize
F# G#
until after it has begun
F# G#
whether this is the one
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
G#m C#
conceding nothing
C# G#m
i held my ground
G#m C#
and now that it's over
B Bbm
i've said that there must be
A G# C#
a better way
C# C#m
i keep it in mind
C# C#m
eight times out of nine
C# C#m
i'm wrong or i'm right
F# C#m
it's not worth a fight
C# C#m
but what's hard to define
C# C#m
makes it tough to decide
C# C#m
you don't realize
F# G#
until after it has begun
F# G#
whether this is the one
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
E F#7 F#m B
i probably knew better
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