Biography:
Heatmiser was an alternative rock band that originated in Portland, Oregon in 1992. Consisting of Elliott Smith (guitar and vocals), Neil Gust (guitar and vocals), Brandt Peterson (bass; later to be replaced by Sam Coomes, frontman of Quasi), and Tony Lash (drums), they were known for their well-crafted lyrics and songs featuring melancholic and cheery words and melodies. The pop-oriented songs of Elliott Smith were a contrast to the darker songs of Gust
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Other songs:
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Pop in G by Heatmiser
Lyrics from genius.com
Chords by Scott from sweetadeline.net
Modified and formatted by yours truly for simplicity
NOTES:
- Eb and Bb replaced with F# and A# (except for the verses where I replaced G/F# with F#).
They're the same sounds, just easier to read (at least for me).
Playing either produces the same result, so don't be alarmed if you only know one and not the other.
[Verse 1]
G F# C
Mic City Sons seem to dumb everything down
G
I got wished a lot of luck
F# C
And I'll tell you what it's worth now
[Chorus]
A# C
It's a cold-blooded style
A# F#
It never was worthwhile
A# C
You're as good as they come
A# F#
But you're such a f**king trial
[Verse 2]
G
You went and called me up
F# C
Do you bother me on purpose?
G
You make me feel like I'm half my age
F# C
And at least twice as nervous
[Chorus]
A# C A# F#
You go out whistling "Sweet Caroline"
A# C A# F#
And I'm being a big pain 'cause I never speak my mind
[Verse 3]
G F# C
It's a miracle how no offense is taken
G
But I'm full of them, man
F# C
Any time you feel up to face them
G
You go drink your problems still
F# C
A statue in the barroom
G
You've got feelings left to kill
F# C
Yeah, I won't forget it too soon
[Chorus]
A# C
It's a cold-blooded style
A# F#
It never was worthwhile
A# C
You're as good as they come
A# F#
But you're such a f**king trial
A# C A# F#
You go out whistling "Sweet Caroline"
A# C A# F#
And I'm being a big pain 'cause I never speak my mind
[Outro]
A# F#
You don't want me to speak my mind
Lyrics from genius.com
Chords by Scott from sweetadeline.net
Modified and formatted by yours truly for simplicity
NOTES:
- Eb and Bb replaced with F# and A# (except for the verses where I replaced G/F# with F#).
They're the same sounds, just easier to read (at least for me).
Playing either produces the same result, so don't be alarmed if you only know one and not the other.
[Verse 1]
G F# C
Mic City Sons seem to dumb everything down
G
I got wished a lot of luck
F# C
And I'll tell you what it's worth now
[Chorus]
A# C
It's a cold-blooded style
A# F#
It never was worthwhile
A# C
You're as good as they come
A# F#
But you're such a f**king trial
[Verse 2]
G
You went and called me up
F# C
Do you bother me on purpose?
G
You make me feel like I'm half my age
F# C
And at least twice as nervous
[Chorus]
A# C A# F#
You go out whistling "Sweet Caroline"
A# C A# F#
And I'm being a big pain 'cause I never speak my mind
[Verse 3]
G F# C
It's a miracle how no offense is taken
G
But I'm full of them, man
F# C
Any time you feel up to face them
G
You go drink your problems still
F# C
A statue in the barroom
G
You've got feelings left to kill
F# C
Yeah, I won't forget it too soon
[Chorus]
A# C
It's a cold-blooded style
A# F#
It never was worthwhile
A# C
You're as good as they come
A# F#
But you're such a f**king trial
A# C A# F#
You go out whistling "Sweet Caroline"
A# C A# F#
And I'm being a big pain 'cause I never speak my mind
[Outro]
A# F#
You don't want me to speak my mind
Heavenly Melody
Heavens
Heavens Basement
Heavens Gate
Heavens to Betsy
Hector Montaner
Hector Montemayo (...)
Hector Mosqueda
Hector Napolitan (...)
Hector Numa Mora (...)