Biography:
There's more than one artist by the name of Frances.
1) Frances is a singer/songwriter from Liverpool whose debut single 'Coming Up For Air' has been picked up by BBC Introducing and playlisted for radio airplay. She's drawn comparisons to the likes of London Grammar, Coldplay and Laura Welsh.
Her official single "Fire My Save You" was released by french label Kitsuné in September 2014.
Facebook - www.facebook.com/OfficialFrances
Soundcloud - www.soundcloud.com/Frances_Music-1
Read more on Last.fm
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
chords at
the bottom under THE DETAILS
I tried to make this as close as possible to the original piano backing.
It's not perfect but I think it sounds pretty cool.
Standard Tuning
Capo 1st fret
*Things with a {number} after them are further explained at the bottom*
*********************************************************************************
[Verse1] {0} {0}
Gadd9 D Asus4
Don't put your eyes down, you're not to blame
Dsus2/F# Gadd9 D Asus4
I know there are stories, you can't explain
Dsus2/F# Gadd9 D Aadd4
But if I should find you, black and blue
Dsus2/F# Gadd9 D Aadd4 Dsus2/F#
And aching from crying, I'll wait with you
Gadd9 D Aadd4
Grow, gro - ow
[Chorus1] {1} {1}
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Oh, so you know it all, then it's gone
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Grow, grow you know I'm here holding on
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Tying up your loose ends and your drifting estee - eem
Em7add4 Gadd9 Dadd9 Aadd4 A3add4(broken{2}) {2}
Grow, grow if you never try, you'll never know
[Verse2] (picked{3}) {3}
Gadd9 D Aadd4
I've left you a white page, by the door
Dsus2 Gadd9 D Aadd4
There's no need to ask me, what it's for
Dsus2 Gadd9 D Aadd4
I wait by the front step for your return
Dsus2 Gadd9 D Aadd4 Aadd4(Strummed{4}) {4}
And hear every story of what you've learned
[Chorus2] {5} {5}
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Oh, so you know it all, then it's gone
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Grow, grow you know I'm here holding on
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Tying up your loose ends and your drifting estee - eem
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Grow, grow if you never try, you'll never know
[Breakdown]
Gadd9 D Aadd4 A/F# (picked{6}) {6}
Grow, gro - ow
Gadd9 D Aadd4
Grow, gro - ow
[Bridge] {7} {7}
Dadd9 F#m7 Em7add4 G6add9
Dadd9 F#m7 Em7add4 G6add9 A7sus4
Throw your arms out and grow your heart out
Dadd9 F#m7 Em7add4 G6add9
Throw your arms out and grow your heart out
Dadd9 F#m7 Em7add4 G6add9 A7sus4 Aadd4 Dsus2/F#
Throw your arms out and grow your heart out
[Outro]
Gadd9 D Aadd4 Dsus2/F# (picked{8}) {8}
Grow, gro - ow
Gadd9 D Aadd4
Grow, gro - ow
Dsus2/F# Gadd9 D Asus4
Don't put your eyes down, you're not to blame
Dsus2/F# Gadd9 D/F#
I know there are stories, you can't explain
THE DETAILS
remember:
Capo 1st fret = everything is a half step higher in reality
*********************************************************************************
{0}
-chords for Verse1 (also Breakdown and Outro)
Gadd9: D: Asus4: Aadd4: Dsus2/F#:
e| 3 | e| 2 | e| 0 | e| 0 | e| 0 |
B| 3 | B| 3 | B| 3 | B| 2 | B| 3 |
G| 4 | G| 2 | G| 2 | G| 2 | G| 2 |
D| 7 | D| 0 | D| 2 | D| 0 | D| 0 |
A| 5 | A| - | A| 0 | A| 0 | A| 0 |
E| 3 | E| - | E| - | E| - | E| 2 |
*********************************************************************************
{1}
-chords for Chorus1 (they sound higher but you might
as well use the chords for Chorus2{5})
E7: Gadd9: Dadd9: Aadd4: Asus4:
e| 10| e| 5 | e| 12| e| 9 | e| 10|
B| 10| B| 3 | B| 10| B| 10| B| 10|
G| 12| G| 4 | G| 11| G| 9 | G| 9 |
D| 9 | D| 5 | D| 0 | D| 0 | D| 0 |
A| - | A| 0 | A| - | A| 0 | A| 0 |
E| 0 | E| 3 | E| - | E| - | E| - |
?
|
For a nice transition into Verse2:
take this shape but put your pinky on fret 11 of the D-String. then move it
to fret 12. Then play the little A3add4{2} triad.
*********************************************************************************
{2}
-A3add4, broken, when going out of Chorus1
e|--------17-------| -|you'd have
B|-------15--------| -|to shift this down
G|------18---------| -|an ocatve on an acoustic
D|-----------------|
A|-{Still ringing)-|
E|-----------------|
*********************************************************************************
{3}
-picking pattern, second Verse:
|--------Gadd9----------||--D---||--------A3add4--------||-Dsus2-|
e|------5-------5-------5-------2-------5-------5-------5-------0-|
B|----3-------3-------3-------3-----2h3-----2h3-----2h3-----2h3---|
G|--4-------4-------4-------2-----2-------2-------2-------2-------|
D|5-------5-------5-------0---------------------------------------|
A|----------------------------------------------------------------|
E|----------------------------------------------------------------|
?
|
(Stop on this note before "strumming into"{4} Chorus2)
*********************************************************************************
{4}
-Asus4, strummed, leading into Chorus2
e|5|
B|3|
G|2|
D|2|
A|-|
E|-|
*********************************************************************************
{5}
-chords for Chorus2
E7add4: Gadd9: Dadd9: Aadd4: Asus4:
e| 5 | e| 5 | e| 2 | e| 0 | e| 0 |
B| 3 | B| 3 | B| 5 | B| 2 | B| 3 |
G| 0 | G| 0 | G| 2 | G| 2 | G| 2 |
D| 2 | D| 0 | D| 0 | D| 0 | D| 2 |
A| 2 | A| 2 | A| - | A| 0 | A| 0 |
E| 0 | E| 3 | E| - | E| - | E| - |
?
|
(don't hit A-string - it sounds weird going into the next chord)
Oh, and:
The A chords are not quite right.
You'd want that friction of the pretty high 3 and 4 lying
directly on top of eachother. But then there's this 'melody' from 3 to 4.
The lowest notes of the piano (not the synth bass) go 3-1-5. You need that 5th for it
to not sound wishy washy. ... . I found this impossible to realize on guitar.
These are my thoughts and this is my best approximation.
So feel free to edit this if you come up with something better!
*********************************************************************************
{6}
-A/F#, picked, in Breakdown
e|-9-------------|
B|---10----------|
G|------9--------|
D|--------11-----|
A|-9-------------|
E|---------------|
*********************************************************************************
{7}
-chords for Bridge
Dadd9: F#m7: Em7add4: G6add9: A7sus4:
e| 2 | e| 2 | e| 2 | e| 5 | e| 5 |
B| 5 | B| 2 | B| 5 | B| 5 | B| 3 |
G| 2 | G| 2 | G| 2 | G| 0 | G| 0 |
D| 0 | D| 2 | D| 0 | D| 0 | D| 2 |
A| - | A| 5 | A| - | A| 2 | A| 0 |
E| - | E| 2 | E| - | E| 3 | E| - |
!I'm not very confident in these!
if you wanna spend some time and work this out,
maybe even provide a tab that incooperates the melody,
I - and many others, im sure - would be very happy
(more info at the very bottom)
*********************************************************************************
{8}
-Dsus2/F#, picked, in the Outro between 'grow's
e|-5-------------|
B|---5-----------|
G|-----7---------|
D|-0-----7-------|
A|(9)------------|
E|---------------|
you can use A-String fret 9 to get the F#
THE REST
!you can safely ignore this!
The bridge is where this tab is lacking. Maybe you can help out?
This is just a dump for the info that I've gathered about it:
(Use this as orientation - I'm not sure about anything)
left Hand:
D F#m7add#5/C# Em(7) G
D F#m Em(4) (7) G(2) A (2)
right Hand:
D(2) F#m{#5)(7) Em(4) G(Tri)(g6)(9)
D"" F#m"" Em"" G(g6)(9) A(4)
left Hand:
D F#m7/D Em7/D G/D
D F#m Em(4) (7) G(2) A (2)
right Hand:
D(2) F#m{#5)(9) Em(4) G(Tri)(maj6)(9)
D"" F#m"" Em"" G(maj6)(9)(Tr) A(4)
notes:
WTF! I just discovered, that F#m7#5 is basically another
way of writing Dsus2/F# (yes I know that technically makes it Dadd9/F#)
Main Righthand line
e|-----5---------------5-------5-|
B|7-7-5--7--7-5-------5-------5--|
G|-------------7--6-7----6--7----|
D|-------------------------------|
A|-------------------------------|
E|-------------------------------|
e|-----5-------5-------5-------5-|
B|----5-------5-------5-------5--|
G|4-4----4--4-----4-4----6--7----|
D|-------------------------------|
A|-------------------------------|
E|-------------------------------|
the bottom under THE DETAILS
I tried to make this as close as possible to the original piano backing.
It's not perfect but I think it sounds pretty cool.
Standard Tuning
Capo 1st fret
*Things with a {number} after them are further explained at the bottom*
*********************************************************************************
[Verse1] {0} {0}
Gadd9 D Asus4
Don't put your eyes down, you're not to blame
Dsus2/F# Gadd9 D Asus4
I know there are stories, you can't explain
Dsus2/F# Gadd9 D Aadd4
But if I should find you, black and blue
Dsus2/F# Gadd9 D Aadd4 Dsus2/F#
And aching from crying, I'll wait with you
Gadd9 D Aadd4
Grow, gro - ow
[Chorus1] {1} {1}
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Oh, so you know it all, then it's gone
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Grow, grow you know I'm here holding on
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Tying up your loose ends and your drifting estee - eem
Em7add4 Gadd9 Dadd9 Aadd4 A3add4(broken{2}) {2}
Grow, grow if you never try, you'll never know
[Verse2] (picked{3}) {3}
Gadd9 D Aadd4
I've left you a white page, by the door
Dsus2 Gadd9 D Aadd4
There's no need to ask me, what it's for
Dsus2 Gadd9 D Aadd4
I wait by the front step for your return
Dsus2 Gadd9 D Aadd4 Aadd4(Strummed{4}) {4}
And hear every story of what you've learned
[Chorus2] {5} {5}
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Oh, so you know it all, then it's gone
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Grow, grow you know I'm here holding on
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Tying up your loose ends and your drifting estee - eem
Em7add4 Gadd9 Dadd9 Aadd4 Asus4
Grow, grow if you never try, you'll never know
[Breakdown]
Gadd9 D Aadd4 A/F# (picked{6}) {6}
Grow, gro - ow
Gadd9 D Aadd4
Grow, gro - ow
[Bridge] {7} {7}
Dadd9 F#m7 Em7add4 G6add9
Dadd9 F#m7 Em7add4 G6add9 A7sus4
Throw your arms out and grow your heart out
Dadd9 F#m7 Em7add4 G6add9
Throw your arms out and grow your heart out
Dadd9 F#m7 Em7add4 G6add9 A7sus4 Aadd4 Dsus2/F#
Throw your arms out and grow your heart out
[Outro]
Gadd9 D Aadd4 Dsus2/F# (picked{8}) {8}
Grow, gro - ow
Gadd9 D Aadd4
Grow, gro - ow
Dsus2/F# Gadd9 D Asus4
Don't put your eyes down, you're not to blame
Dsus2/F# Gadd9 D/F#
I know there are stories, you can't explain
THE DETAILS
remember:
Capo 1st fret = everything is a half step higher in reality
*********************************************************************************
{0}
-chords for Verse1 (also Breakdown and Outro)
Gadd9: D: Asus4: Aadd4: Dsus2/F#:
e| 3 | e| 2 | e| 0 | e| 0 | e| 0 |
B| 3 | B| 3 | B| 3 | B| 2 | B| 3 |
G| 4 | G| 2 | G| 2 | G| 2 | G| 2 |
D| 7 | D| 0 | D| 2 | D| 0 | D| 0 |
A| 5 | A| - | A| 0 | A| 0 | A| 0 |
E| 3 | E| - | E| - | E| - | E| 2 |
*********************************************************************************
{1}
-chords for Chorus1 (they sound higher but you might
as well use the chords for Chorus2{5})
E7: Gadd9: Dadd9: Aadd4: Asus4:
e| 10| e| 5 | e| 12| e| 9 | e| 10|
B| 10| B| 3 | B| 10| B| 10| B| 10|
G| 12| G| 4 | G| 11| G| 9 | G| 9 |
D| 9 | D| 5 | D| 0 | D| 0 | D| 0 |
A| - | A| 0 | A| - | A| 0 | A| 0 |
E| 0 | E| 3 | E| - | E| - | E| - |
?
|
For a nice transition into Verse2:
take this shape but put your pinky on fret 11 of the D-String. then move it
to fret 12. Then play the little A3add4{2} triad.
*********************************************************************************
{2}
-A3add4, broken, when going out of Chorus1
e|--------17-------| -|you'd have
B|-------15--------| -|to shift this down
G|------18---------| -|an ocatve on an acoustic
D|-----------------|
A|-{Still ringing)-|
E|-----------------|
*********************************************************************************
{3}
-picking pattern, second Verse:
|--------Gadd9----------||--D---||--------A3add4--------||-Dsus2-|
e|------5-------5-------5-------2-------5-------5-------5-------0-|
B|----3-------3-------3-------3-----2h3-----2h3-----2h3-----2h3---|
G|--4-------4-------4-------2-----2-------2-------2-------2-------|
D|5-------5-------5-------0---------------------------------------|
A|----------------------------------------------------------------|
E|----------------------------------------------------------------|
?
|
(Stop on this note before "strumming into"{4} Chorus2)
*********************************************************************************
{4}
-Asus4, strummed, leading into Chorus2
e|5|
B|3|
G|2|
D|2|
A|-|
E|-|
*********************************************************************************
{5}
-chords for Chorus2
E7add4: Gadd9: Dadd9: Aadd4: Asus4:
e| 5 | e| 5 | e| 2 | e| 0 | e| 0 |
B| 3 | B| 3 | B| 5 | B| 2 | B| 3 |
G| 0 | G| 0 | G| 2 | G| 2 | G| 2 |
D| 2 | D| 0 | D| 0 | D| 0 | D| 2 |
A| 2 | A| 2 | A| - | A| 0 | A| 0 |
E| 0 | E| 3 | E| - | E| - | E| - |
?
|
(don't hit A-string - it sounds weird going into the next chord)
Oh, and:
The A chords are not quite right.
You'd want that friction of the pretty high 3 and 4 lying
directly on top of eachother. But then there's this 'melody' from 3 to 4.
The lowest notes of the piano (not the synth bass) go 3-1-5. You need that 5th for it
to not sound wishy washy. ... . I found this impossible to realize on guitar.
These are my thoughts and this is my best approximation.
So feel free to edit this if you come up with something better!
*********************************************************************************
{6}
-A/F#, picked, in Breakdown
e|-9-------------|
B|---10----------|
G|------9--------|
D|--------11-----|
A|-9-------------|
E|---------------|
*********************************************************************************
{7}
-chords for Bridge
Dadd9: F#m7: Em7add4: G6add9: A7sus4:
e| 2 | e| 2 | e| 2 | e| 5 | e| 5 |
B| 5 | B| 2 | B| 5 | B| 5 | B| 3 |
G| 2 | G| 2 | G| 2 | G| 0 | G| 0 |
D| 0 | D| 2 | D| 0 | D| 0 | D| 2 |
A| - | A| 5 | A| - | A| 2 | A| 0 |
E| - | E| 2 | E| - | E| 3 | E| - |
!I'm not very confident in these!
if you wanna spend some time and work this out,
maybe even provide a tab that incooperates the melody,
I - and many others, im sure - would be very happy
(more info at the very bottom)
*********************************************************************************
{8}
-Dsus2/F#, picked, in the Outro between 'grow's
e|-5-------------|
B|---5-----------|
G|-----7---------|
D|-0-----7-------|
A|(9)------------|
E|---------------|
you can use A-String fret 9 to get the F#
THE REST
!you can safely ignore this!
The bridge is where this tab is lacking. Maybe you can help out?
This is just a dump for the info that I've gathered about it:
(Use this as orientation - I'm not sure about anything)
left Hand:
D F#m7add#5/C# Em(7) G
D F#m Em(4) (7) G(2) A (2)
right Hand:
D(2) F#m{#5)(7) Em(4) G(Tri)(g6)(9)
D"" F#m"" Em"" G(g6)(9) A(4)
left Hand:
D F#m7/D Em7/D G/D
D F#m Em(4) (7) G(2) A (2)
right Hand:
D(2) F#m{#5)(9) Em(4) G(Tri)(maj6)(9)
D"" F#m"" Em"" G(maj6)(9)(Tr) A(4)
notes:
WTF! I just discovered, that F#m7#5 is basically another
way of writing Dsus2/F# (yes I know that technically makes it Dadd9/F#)
Main Righthand line
e|-----5---------------5-------5-|
B|7-7-5--7--7-5-------5-------5--|
G|-------------7--6-7----6--7----|
D|-------------------------------|
A|-------------------------------|
E|-------------------------------|
e|-----5-------5-------5-------5-|
B|----5-------5-------5-------5--|
G|4-4----4--4-----4-4----6--7----|
D|-------------------------------|
A|-------------------------------|
E|-------------------------------|
Francesca Blanch (...)
Francesco Baccin (...)
Francesco De Leo
Francesco Di Bel (...)
Francesco Di Ior (...)
Francis Craig
Francis Dunnery
Francis Lai
Francis Lalanne
Francis lung