Biography:
Joanna Newsom (born Joanna Caroline Newsom on 18 January 1982 in California) is an American multi-instrumentalist, songwriter, singer, and actress. Newsom was classically trained on the harp in her youth, and began her musical career as a keyboardist in 2002 in the San Francisco-based indie band The Pleased.
Newsom started taking piano lessons at a very early age and played for a couple of years, but switched to the harp at seven. Her approach to the harp
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Other songs:
- '81
- Bridges And Balloons
- Clam Crab Cockle Cowry
- Emily
- On A Good Day
- Peach, Plum, Pear
- 81
- A Pin Light Bent
- Anecdotes
- Autumn
- Baby Birch
- Book Of Right
- Ca The Yowes To The Nowes
- Cassiopeia
- Clam Crab Cockle Cowrie
- Cosmia
- Divers
- Does Not Suffice
- Easy
- En Gallop
- Esme
- Go Long
- Good Intentions Paving Company
- Goose Eggs
- Have One On Me
- In California
- Inflamatory Writ
- Inflammatory Writ
- Jackrabbits
- Kingfisher
- Leaving The City
- Look And Despair
- Make Hay
- Monkey Bear
- No Provenance
- Occident
- Only Skin
- Peach Plum Pear
- Ribbon Bows
- Sadie
- Sapokanikan
- Sawdust And Diamonds
- Soft As Chalk
- Sprout And The Bean
- Swansea
- The Divers Wife
- The Fray
- The Northstar Grassman And The Ravens
- The Things I Say
- This Side Of The Blue
- Time As A Symptom
- Waltz Of The 101St Lightborne
- What We Have Known
- You And Me Bess
- You Will Not Take My Heart Alive
Four years of hard work!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Tabbed by PoorMatty @Forumz.
(F)There is a (C)spring not far from (F)here
The water (C)runs both sweet and (F)clear
Both sweet and (Dm)clear and co - (Bb)old
Could crack your (C)bones with (Bb)veins of (F)gold
I stood a-(C)wagging at the (F)tap
Just a-(C)waiting on the lagging, rising (F)sap
I held the (Bb)cold tin ladle to my (G)lip
At the shrine of the (C)Thousand Eyes I lowered my (Bb)eyes do (F)sip
What a (G)beautiful (Cm)day to (G)catch my (Cm)drift
Or (Bb)be caught (G#)up (Bb)in (Eb)it
(G#)You want your (G)love? (F)Love, (Bb)come and get your (G)love
I only (C)took it back because I (Bb)thought you (F)didn't
This progression is then repeated, followed by this:
(Am)All day you're (Eb)hassling me with (F)tri - (Cm)ifles
(Am)Black (Eb)nose of the dog as (F)cold as a (Cm)rifle (Bb)
(A)Indicating (G)with a nudge, (F)god, (Eb)no god, (Bb)god, (G)no god
(A)Sweet appraising (G)eye of the dog, blink (F)once if (Eb)god, (Bb)twice if (G)no god
Then the first progression begins again to finish the song out, starting on the C-
minor in the second section.
(F)There is a (C)spring not far from (F)here
The water (C)runs both sweet and (F)clear
Both sweet and (Dm)clear and co - (Bb)old
Could crack your (C)bones with (Bb)veins of (F)gold
I stood a-(C)wagging at the (F)tap
Just a-(C)waiting on the lagging, rising (F)sap
I held the (Bb)cold tin ladle to my (G)lip
At the shrine of the (C)Thousand Eyes I lowered my (Bb)eyes do (F)sip
What a (G)beautiful (Cm)day to (G)catch my (Cm)drift
Or (Bb)be caught (G#)up (Bb)in (Eb)it
(G#)You want your (G)love? (F)Love, (Bb)come and get your (G)love
I only (C)took it back because I (Bb)thought you (F)didn't
This progression is then repeated, followed by this:
(Am)All day you're (Eb)hassling me with (F)tri - (Cm)ifles
(Am)Black (Eb)nose of the dog as (F)cold as a (Cm)rifle (Bb)
(A)Indicating (G)with a nudge, (F)god, (Eb)no god, (Bb)god, (G)no god
(A)Sweet appraising (G)eye of the dog, blink (F)once if (Eb)god, (Bb)twice if (G)no god
Then the first progression begins again to finish the song out, starting on the C-
minor in the second section.
