Biography:
Joanna Newsom (born Joanna Caroline Newsom on 18 January 1982 in California) is an American multi-instrumentalist, songwriter, singer, and actress. Newsom was classically trained on the harp in her youth, and began her musical career as a keyboardist in 2002 in the San Francisco-based indie band The Pleased.
Newsom started taking piano lessons at a very early age and played for a couple of years, but switched to the harp at seven. Her approach to the harp
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Other songs:
- '81
- Bridges And Balloons
- Clam Crab Cockle Cowry
- Emily
- On A Good Day
- Peach, Plum, Pear
- 81
- A Pin Light Bent
- Anecdotes
- Autumn
- Baby Birch
- Book Of Right
- Ca The Yowes To The Nowes
- Cassiopeia
- Clam Crab Cockle Cowrie
- Cosmia
- Divers
- Does Not Suffice
- Easy
- En Gallop
- Esme
- Go Long
- Good Intentions Paving Company
- Goose Eggs
- Have One On Me
- In California
- Inflamatory Writ
- Inflammatory Writ
- Jackrabbits
- Kingfisher
- Leaving The City
- Look And Despair
- Make Hay
- Monkey Bear
- No Provenance
- Occident
- Only Skin
- Peach Plum Pear
- Ribbon Bows
- Sadie
- Sapokanikan
- Sawdust And Diamonds
- Soft As Chalk
- Sprout And The Bean
- Swansea
- The Divers Wife
- The Fray
- The Northstar Grassman And The Ravens
- The Things I Say
- This Side Of The Blue
- Time As A Symptom
- Waltz Of The 101St Lightborne
- What We Have Known
- You And Me Bess
- You Will Not Take My Heart Alive
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
The other tab is a half-step too high, and had a few chord changes out of place or lacking.
You could play this with a Capo on 2:
B = A shape
F# = E shape
E = D shape
G#m = F#m shape
B F#
That means no where I come from. I am cold, out waiting for the day to come.
B B F# E
I chew my lips, oh and I scratch my nose, feels so good to be a rose.
B
Oh don't, don't you lift me up like I'm that shy, no no no no no,
F#
just give it up –
E F# B
There are bats all dissolving in a row
E F# G#m
into the wishy-washy dark that cannot let go.
B
I cannot let go, so I thank the lord, and I thank his sword!
F# G#m
'tho it be mincing up the morning, slightly bored.
B E B E
O, morning without warning like a hole, and I watch you go.
B F# E
There are some mornings when the sky looks like a road.
B F# E
There are some dragons who were built to have and hold.
B F# E
And some machines are dropped from great heights lovingly.
B E B F# E
and some bellies ache with many bumblebees. (and they sting so terribly).
B
I do as I please. Now I'm on my knees.
F# G#m
Your skin is something that I stir into my tea.
E G#m
And I am watching you and you are starry, starry, starry
B F# E
and I'm tumbling down, and I check a frown.
B
It's why I love this town. Well, just look around:
G#m
to see me serenaded hourly! celebrated sourly!
E F# B
dedicated dourly; waltzing with the open sea –
F# E F# G#m
clam, crab, cockle, cowrie : will you just look at me?
B D B F# E x3 (3rd time) F# B
Oh… Hmm
You could play this with a Capo on 2:
B = A shape
F# = E shape
E = D shape
G#m = F#m shape
B F#
That means no where I come from. I am cold, out waiting for the day to come.
B B F# E
I chew my lips, oh and I scratch my nose, feels so good to be a rose.
B
Oh don't, don't you lift me up like I'm that shy, no no no no no,
F#
just give it up –
E F# B
There are bats all dissolving in a row
E F# G#m
into the wishy-washy dark that cannot let go.
B
I cannot let go, so I thank the lord, and I thank his sword!
F# G#m
'tho it be mincing up the morning, slightly bored.
B E B E
O, morning without warning like a hole, and I watch you go.
B F# E
There are some mornings when the sky looks like a road.
B F# E
There are some dragons who were built to have and hold.
B F# E
And some machines are dropped from great heights lovingly.
B E B F# E
and some bellies ache with many bumblebees. (and they sting so terribly).
B
I do as I please. Now I'm on my knees.
F# G#m
Your skin is something that I stir into my tea.
E G#m
And I am watching you and you are starry, starry, starry
B F# E
and I'm tumbling down, and I check a frown.
B
It's why I love this town. Well, just look around:
G#m
to see me serenaded hourly! celebrated sourly!
E F# B
dedicated dourly; waltzing with the open sea –
F# E F# G#m
clam, crab, cockle, cowrie : will you just look at me?
B D B F# E x3 (3rd time) F# B
Oh… Hmm
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