Into It. Over It. is the solo project of the Chicago, Illinois-based musician Evan Thomas Weiss. It is considered one of the leading acts in the emo revival scene of the 2010s. Evan Weiss grew up in Cherry Hill, New Jersey. His first exposure to the genre of emo was hearing the band Sunny Day Real Estate in the seventh grade while browsing a record shop. He continued his interest in music through buying Jade Tree and Polyvinyl records and going to local shows in Philadelphia.
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Into It Over It Spinning Thread Intersections 2013 Submitted by: [email protected]
Key: G#
Tuning: Standard EADGBe
Chords used: G# - 466544 C# - x46664 Bbm - x13321 Fm - 133111 F# - 244322 A - x02220 G#m - 466444 Eb - x68886 E - 022100
Intro: Drumbeats x4
then
G#C# x4
Verse 1: G#C#G# Talk about something new C#G# I'm goddamn desperate C#BbmC# I'm fucking begging you G#C# In a test of recorded G#C#G# afternoons you've changed C#Bbm To an "A" for effort C# beside the city train
Chorus 1: Fm Just spinning wheels C#F# spinning thread and C#G#C# my spinning head
Post chorus: G# C# x4
Verse 2: G# Behold a glimpse C# of the nights you're G#C# guarding And holding G#C# back There's a panic Bbm button to start C# the heart attack G# It's the "new you" C#G# per your suggestion C#G# Mostly sad instead C# Inner monologue Bbm ingestion Curse C# it off again
Chorus 2: Fm Just spinning wheels C#F# spinning thread and C# my spinning head
Chorus 3: G#Bbm A conversation forced C# into becoming such a FmC# chore Appearing cold F#C# and careless To keep G# me on the up and out Bbm Since I've been writing C# books you've sewn the G#Bbm binding An obligation C#F# stitched between careers C# But you've been seaming like a stranger
Bridge: G#G#mF# I could try for C#Bbm the sake of trying C# You could try to AG#G#m say I'm wrong Or F# we could fail at the hands of us C# failing I can Bbm rarely bite my C#A tongue for too long G#G#m You heard it's better F#C# left unspoken And you Bbm heard it's better C#AEb left alone But EC# what the hell F#C# do you know?
Verse 3: I know how we get we get distracted And I know how you are A single shot of whiskey toast the battle scars G# I know it's a C#G# common cause for C#G# thicker skin I know C# the mourning stage Bbm is over I know C# I'm right again
(Repeat Chorus 2)
Chorus 3: G#Bbm A conversation forced C# into becoming such a FmC# chore Appearing cold F#C# and careless To keep G# me on the up and out Bbm Since I've been writing C# books you've sewn the G#Bbm binding An obligation C#G# stitched between careers Bbm But you've been seaming C# like a stranger F#C# You keep on seeming G# like a stranger