CAPO 1st FRET
C
I’m a hard-jackin’ sound-scraping jump-uppin’ left-of-centre
C
Freakbeat affair who refuses to worship at the altar of Detroit.
C
I’m a funked-up holy roller, I’ve got a Nu House where the Old Skool used to be.
C
Eggs bread cigs milk, eggs bread cigs milk.
C
I’m light and dark, phat and mean; King of the Frankfurt jazz-tip scene
C
Amen injections, sex-beat electro drops like you’ve never heard before.
C
Reminds our kid of Moroder. Reminds our kid of Moroder.
C
Moroder, Moroder
C
M’road out of here is a trunk route: A552, A552.
C
We got ten out of ten in Jockey Slut,
C
Four out of five in Mixmag
C
Wax and Update wanna do features.
C
Do you ken Kenny Ken with his AKA? A K A.
B Am
Steve Madden, Steve Madden
Abm A7
Charles Nove, Leskanich, Leskanich.
C
Stretch and Vern, look and learn – it’s 1am and he’s set to burn
C
Drum and bass, Hake and Plaice, Muck and Brass, Cod and Bass.
C
He knows his knobs and he nightly robs
C
Massive mobs from Mary Anne Hobbs with talk of jam and crusty cobs.
N.C.
Warm barm, thank you ma’am, warm barm, thank you ma’am.
C
Eggs bread cigs milk, eggs bread cigs milk.
G C
The headphones are out on the tour bus by and by
G C
And everyone’s listening to Charlie on the sly
G C
God help you if your tour bus crashes and you die
G C
We’ll all know you were listening to Charlie on the sly.
G C G C G C
Charlie on the sly, like Jennifer in Rye, and Phil in Hay-on-Wye
G C G C G C G C
Who requested “My Oh My”, the one recorded by Sad Café.
G C
Got ten out of ten in Jockey Slut.