Biography:
Ben Marwood is an English singer-songwriter from the town of Reading. Playing solo shows from 2002, in 2008 he released his debut mini-album, This Is Not What You Had Planned to some critical acclaim, followed by a three-way split album entitled Exclamation At Asterisk Hash which also featured friends Oxygen Thief and Jim Lockey.
His 2011 debut full album Outside There's A Curse, released by independent London-based label Xtra Mile which also plays home to his firm friends Frank Turner and Chris T-T
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Murder She Wrote - Ben Marwood
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Tabbed by: Neil Wicker
E-mail: [email protected]
Tuning: Standard
G#: x 11 13 13 13 11
D#: 11 13 13 12 11 11
A#m x 13 15 15 14 13
Alternate chords to play during the last verse and chorus
(I think he does this live, they're the same just lower):
G#: 4 6 6 5 4 4
D#: x 6 8 8 8 6
A#m 6 8 8 6 6 6
Intro: G#, D#, A#m, Riff
G#, D#, A#m, A#m
G#, D#, A#m, Riff
A#m, Riff, G#, D#
Riff:
A#m
E---------------------------------|
B---------------------------------|
G--13h15--15---15----15p13--13----|
D--13h15--15---15----15p13--13----|
A--13-----13---13----13-----13----|
E---------------------------------|
V V ^ V V (strums)
G# D# A#m Riff
I can tell from your breathe as the beat in my chest
G# D# A#m
that I'm likely to be getting into trouble
G# D# A#m Riff
I can tell from the shape of her dress as it snakes
A#m Riff G# D#
over limbs that I know, only too well to take
G# D# A#m Riff
Hold on to the days, when the train pulls away
G# D# A#m
Hold on to the magic, that you wanted
G# D# A#m Riff
When the lump in her throat, is like murder she wrote
G# D# A#m
where the bad guys speak first, and then
*intro again*
G# D# A#m Riff
Hold on to the days, when the train pulls away
G# D# A#m
Hold on to the magic, that you wanted
G# D# A#m Riff
When the lump in her throat, is like murder she wrote
G# D# A#m
where the bad guys speak first, and then
Riff, D#
(not sure of the lyrics at the end here)
Murder She Wrote - Ben Marwood
-------------------------------------------------------------------------------
Tabbed by: Neil Wicker
E-mail: [email protected]
Tuning: Standard
G#: x 11 13 13 13 11
D#: 11 13 13 12 11 11
A#m x 13 15 15 14 13
Alternate chords to play during the last verse and chorus
(I think he does this live, they're the same just lower):
G#: 4 6 6 5 4 4
D#: x 6 8 8 8 6
A#m 6 8 8 6 6 6
Intro: G#, D#, A#m, Riff
G#, D#, A#m, A#m
G#, D#, A#m, Riff
A#m, Riff, G#, D#
Riff:
A#m
E---------------------------------|
B---------------------------------|
G--13h15--15---15----15p13--13----|
D--13h15--15---15----15p13--13----|
A--13-----13---13----13-----13----|
E---------------------------------|
V V ^ V V (strums)
G# D# A#m Riff
I can tell from your breathe as the beat in my chest
G# D# A#m
that I'm likely to be getting into trouble
G# D# A#m Riff
I can tell from the shape of her dress as it snakes
A#m Riff G# D#
over limbs that I know, only too well to take
G# D# A#m Riff
Hold on to the days, when the train pulls away
G# D# A#m
Hold on to the magic, that you wanted
G# D# A#m Riff
When the lump in her throat, is like murder she wrote
G# D# A#m
where the bad guys speak first, and then
*intro again*
G# D# A#m Riff
Hold on to the days, when the train pulls away
G# D# A#m
Hold on to the magic, that you wanted
G# D# A#m Riff
When the lump in her throat, is like murder she wrote
G# D# A#m
where the bad guys speak first, and then
Riff, D#
(not sure of the lyrics at the end here)
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