Alternately explosive and restrained, the aptly titled The Bloom and the Blight is a meditation on past and present - melodic fury matched with the eloquent, confessional lyricism that has made Two Gallants an enduring favorite of both fans and critics.
Capturing the sound of a new beginning, The Bloom and the Blight celebrates the band’s much anticipated reunion following a multi-year break. It is the work of Two Gallants, fully matured, the band fearlessly exploring new ground in search of a sound that defines a very personal catharsis.
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Two gallants: Las Cruces Jail Album: What The Toll Tells (2006) Tabbed by Pierre-Yves Thevenet
Hi, these are just the basic chords all along this great song. Most of the time it's arpeggios, but first I haven't figured them all out, and second and i can't be arsed to write down ones i have... So if anyone feels like it..
Arpeggios, suggestions, corrections, death threats, insults and stuff, please, [email protected]
Here we go:
E Well I spent last night in Las Cruces Jail. BA Raining hail, born to fail. E Nobody come for to go my bail. BE Sun, don't you rise no more.
E Well I shot one man on the county line. BA Took his dime and I blew his mind. E Now I'm just sittin' here doin' time. BE Sun, don't you rise no more.
C#mG#m Well a restless wind is whistling through my windows through my head, BA through all the scrapes that I've survived. C#mG#m And in my hour of darkness I keep counsel with the dead, BA just enough to remind me I'm alive.
E Well I write to the governor for to hear my plea BA but he don't even answer me. E Judge said he's gonna set my spirit free. BA Sun, don't you rise no more.
E Gavel fell, he chose the day, BA cattle tie, thirteenth of May. E But I don't plan to go that way. BE Sun, don't you rise no more.
ABE Goodnight my Anda-Lucia. ABE Don't buy all the lies that they feed ya. ABC#mA And though you're heading slowly to some place I can't respect, EBE I'll keep you in my collection of regrets.
C#mG#m And that's twenty-one fell by my gun, oh, they all fell the same. BA Just need one more to match my age. C#mG#m Then I'll count my killin' done. but I won't deny my name: BA Quickest wrist of the chaparral and sage.
E Now desperate times call for desperate men, BA I'm just a kid but I'll pretend E my time will come but until then, BE Sun, don't you rise no more.
EE Well I see that gallows altar, that circle 'round the Sun. BEA B They're gonna hang me if I stay here, they're gonna shoot me if I run. E That jailer better watch his pride BA or off my wrists these shackles slide. E Hear my restless fourty-five. BE Sun, don't you rise no more.
ABEB Goodnight my Anda-Lucia. ABEB Don't buy all the lies that they feed ya. ABC#mA And though you're heading slowly to some place I can't respect, EBE I'll keep you in my collection of regrets.
[silence]
C#mG#m And down the highway, down the road, to infamy I'll ride. BA I'll take my pardon on the run, C#mG#m with a trail of death behind me and Deluvina at my side, BA two silhouettes against the Sun.
E Well I spent last night in Las Cruces Jail. BA Raining hail, born to Fail. E Nobody come for to go my bail. BE Sun, don't you rise no more
[wind blowing and arpeggios on:]
C#mG#m (A quick) BA (B quick)
C#mG#m (A quick) BA
That's it, sorry for any innacuracies there must be.