Biography:
Shawn Mullins (born March 8, 1968 in Piedmont hospital, Atlanta, Georgia) is a singer songwriter who specializes in folk rock, Instrumental rock, and adult alternative music.
Shawn's voice varies widely standing out along with his rythym acoustical, electric guitar strokes. Shawn travels with his sound man and tour manager, Big Kip Conner.
Mullins's earlier work was influenced by acoustic and power-pop groups such as the Violent Femmes, The Producers and the Indigo Girls.
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Other songs:
- Faith
- Lullaby
- All In My Head
- Anchored In You
- And On A Rainy Night
- Ballad Of Billy Jo Mckay
- Ballad Of Kathryn Johnston
- Beautiful Wreck
- Beautifull Wreck
- Blue As You
- Cabbagetown
- California
- Canyons And Caverns
- Cycle Of Our Souls
- Everywhere I Go
- Ferguson
- Fraction Of A Man
- Gulf Of Mexico
- Home
- Joshua
- Joy Terrell Brown
- Light You Up
- Lonesome I Know You Too Well
- My Stupid Heart
- No Blue Sky
- Patricks Song
- Shimmer
- Soul Child
- Soul Core
- Sunday Morning Coming Down
- Tannin Bed Song
- The Ghost Of Johnny Cash
- The Great Unknown
- This Ones For The Majors
- This Time Last Time
- Twin Rocks Oregon
- We Could Go And Start Again
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Shawn Mullins This One's For The Majors written by Shawn Mullins
D G D G
G D G
If the timing's right
D G
No need to worry about what's right and what is wrong
G D G
And if the market's right
G A
We can sell the livin' hell out of your song
G
Cause I know what they wanna hear
A G
Yea I can see the light
A G
But just a few adjustments dear
A
Change the way you sing
G
The way you play
D D G D G D G
The way you write
G D G
And if my mood is right
G D G
I'll give you money or support whichever's less
D G
Not sure the image is right
A
I think for starters we should put you in a dress
G
Cause we are patrons of the arts
A G A
Yea we believe in you and what it is you do
G
But just remember parts is parts
A
We'll see what sticks
G D G D G
I hope for your sake it will be you
Bm E G Bm E G D G D G
G D G
And if the price was right
G D G
I'd sell the soul of my own mother in a shake
D G
And that I can't deny
G A
I wonder how much money could I make
G
What are you complaining for
A G
It's simply economics
A G
You still got your vocal chords
A G
So get the hell out of my office
D G
And write me some hits
G D G
Write me some hits
D G
I don't hear no hits
D G
I don't hear no hits
D G D G
G D G
If the timing's right
D G
No need to worry about what's right and what is wrong
G D G
And if the market's right
G A
We can sell the livin' hell out of your song
G
Cause I know what they wanna hear
A G
Yea I can see the light
A G
But just a few adjustments dear
A
Change the way you sing
G
The way you play
D D G D G D G
The way you write
G D G
And if my mood is right
G D G
I'll give you money or support whichever's less
D G
Not sure the image is right
A
I think for starters we should put you in a dress
G
Cause we are patrons of the arts
A G A
Yea we believe in you and what it is you do
G
But just remember parts is parts
A
We'll see what sticks
G D G D G
I hope for your sake it will be you
Bm E G Bm E G D G D G
G D G
And if the price was right
G D G
I'd sell the soul of my own mother in a shake
D G
And that I can't deny
G A
I wonder how much money could I make
G
What are you complaining for
A G
It's simply economics
A G
You still got your vocal chords
A G
So get the hell out of my office
D G
And write me some hits
G D G
Write me some hits
D G
I don't hear no hits
D G
I don't hear no hits
Sheb Wooley
Shed Seven
Shedaisy
Sheena Easton
Sheila On 7