Biography:
Paul Westerberg (born December 31, 1959) is an American musician from Minneapolis, best known as the former lead singer and songwriter of The Replacements, one of the seminal alternative rock bands of the 1980s. Since The Replacements broke up in 1991, Westerberg has recorded several solo albums under his own name as well as the moniker Grandpaboy, and written songs for movies including Singles and Open Season. Westerberg has one son.
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Other songs:
- 2 Days Til Tomorrow
- Best Thing That Never Happened
- Born For Me
- Crackle And Drag
- Dyslexic Heart
- Even Here We Are
- Final Hurrah
- First Glimmer
- Good Day
- Here Comes A Regular
- Hide N Seekin
- Its A Wonderful Lie
- Knockin On Mine
- Let The Bad Times Roll
- Lookin Out Forever
- Lookin Up In Heaven
- Love Untold
- Mamadaddydid
- Mr Rabbit
- My Dad
- Once Around The Weekend
- Only Lie Worth Telling
- Runaway Wind
- Someone I Once Knew
- Stain Yer Blood
- These Are The Days
- Things
- Waiting For Somebody
- Whatever Makes You Happy
- Wild And Lethal
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
Intro:
| C C/B C/A C/G | D/F# - - - | G - - - | G - - - |
G D
All of the sun
C D
That New York will allow
C D
Is taking one last bow
G D
and left
G D
Let's throw this night
C D
to the fuckin' wind
C D
Don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If on-ly we had
D/F# G - - - | G - - [STOP!]
Wish that we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A D Dsus4 D
I barely even saw you
G D
Clap your hands
C D
And stamp your skinny wrists
C D
Cross me off your list
G D
in the sand
G D
And throw this night
C D
to the fuckin' wind
C D
I don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If only we had I
D/F# G - - - | G - - [STOP!]
wish we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A C/B
I barely even saw you writhe
C Em
You barely even saw me cry
C/A D
I barely even saw you
G D
Hmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
Em(7)
Hmmmmmmmmmmmmmmmmm
C C/B C/A C/G
Hmmmmmmmmmmmmmmmmmmmmmm
D/F# G - - - | G - - [STOP!]
Hmmmmmmmmmmmmmmmmm
D C
You're my latest last chance
D C
My final hur-rah
D C
This day went so fast
D C
My final hur-rah
D C
In your black satin pants
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
What I am calling a "C/A" can also be written as Am7 because that's the shape (and
notes), but I like C/A better because it illustrates the descending bass note pattern in
relation to what goes before and after.
| C C/B C/A C/G | D/F# - - - | G - - - | G - - - |
G D
All of the sun
C D
That New York will allow
C D
Is taking one last bow
G D
and left
G D
Let's throw this night
C D
to the fuckin' wind
C D
Don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If on-ly we had
D/F# G - - - | G - - [STOP!]
Wish that we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A D Dsus4 D
I barely even saw you
G D
Clap your hands
C D
And stamp your skinny wrists
C D
Cross me off your list
G D
in the sand
G D
And throw this night
C D
to the fuckin' wind
C D
I don't ever want to hear
Em(7)
These words again
C C/B C/A C/G
“If only we had I
D/F# G - - - | G - - [STOP!]
wish we did.”
D C
You're my latest last chance
D C
My final hur-rah
D C C/B
This day went so fast
C/A C/B
I barely even saw you writhe
C Em
You barely even saw me cry
C/A D
I barely even saw you
G D
Hmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
C D
Hmmmmmmmmmmmmmmmmmmmmmmm
Em(7)
Hmmmmmmmmmmmmmmmmm
C C/B C/A C/G
Hmmmmmmmmmmmmmmmmmmmmmm
D/F# G - - - | G - - [STOP!]
Hmmmmmmmmmmmmmmmmm
D C
You're my latest last chance
D C
My final hur-rah
D C
This day went so fast
D C
My final hur-rah
D C
In your black satin pants
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
D C
My final hur-rah
What I am calling a "C/A" can also be written as Am7 because that's the shape (and
notes), but I like C/A better because it illustrates the descending bass note pattern in
relation to what goes before and after.
Paul Yandell
Paula Cole
Paula i Karol
Paula Koivuniemi
Paula Moore