Mary Chapin Carpenter (born February 21, 1958 in Princeton, New Jersey) is a highly successful country music singer-songwriter and guitarist. According to Songfacts, Carpenter had a fairly privileged upper middle class upbringing. Her father was at least partly responsible for her embarking on a musical career. The song "House of Cards" was inspired by the divorce of her parents when she was sixteen.
One of her most widely known singles is "Passionate Kisses" (written by fellow singer-songwriter Lucinda Williams)
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------#
THE MOON AND ST. CHRISTOPHER (Mary-Chapin Carpenter) ----------------------------------------------------
* Tuning: DADGBC (yes, C) * Actually in F; capo 5. * Each chord is half a measure. * No guarantees.
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G [intro] CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G [intro]
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G When I was young I spoke like a child, and I saw with a child's eyes CCDm7(4) Dm7(4) F(9)F(9) GsusG And an open door was to a girl like the stars are to the sky AmF(9)EmAmF(9) EmGsusG It's funny how the world lives up to all your expectations Dm7DmC(9)/EC(9)/E F(9)F(9) GsusG With adventures for the stout of heart, and the lure of the open spaces
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G There's 2 lanes running down this road, whichever side you're on CCDm7(4) Dm7(4) F(9)F(9) GsusG Accounts for where you want to go, or what you're running from AmF(9)EmAmDm7 C(9)/E F(9) F(9)F(9)F(9) Back when darkness overtook me on a blind man's curve
CDm7(4) GGCDm7(4) GG I relied upon the moon, I relied upon the moon CDm7(4) GG I relied upon the moon and Saint
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G Christopher [instrumental] CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G [instrumental] AmF(9)EmAmF(9) EmGsusG [instrumental] CDm7(4) GGF(9)F(9) F(9)F(9) [instrumental]
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G Now I've paid my dues cuz I have owed them, but I've paid a price sometimes CCDm7(4) Dm7(4) F(9)F(9) GsusG For being such a stubborn woman in such stubborn times
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G Now I've paid my dues cuz I have owed them, but I've paid a price sometimes CCDm7(4) Dm7(4) F(9)F(9) GsusG For being such a stubborn woman in such stubborn times AmF(9)EmAmF(9) EmGsusG Now I have run from the arms of lovers, I've run from the eyes of friends Dm7(4) Dm7(4) C(9)/EC(9)/E F(9)F(9) GsusGGsusG I have run from the hands of kindness, I've run just because I can
CCDm7(4) Dm7(4) F(9)F(9) C(9)/E G But now I'm grown and I speak like a woman and I see with a woman's eyes CCDm7(4) Dm7(4) F(9)F(9) GsusG And an open door is to me now like the saddest of goodbyes AmF(9)EmAmDm7 C(9)/E F(9) F(9)F(9)G It's too late for turning back, I pray for the heart and the nerve
CDm7(4) GGCDm7(4) GG And I rely upon the moon, I rely upon the moon CDm7(4) GGCDm7GG I rely upon the moon and Saint Christopher
CDm7(4) GGCDm7(4) GEm7 I rely upon the moon, I rely upon the moon AmDm7GGF(9)F(9) I rely upon the moon and Saint Christopher C(9)/EC(9)/EDm7C(9)/E F(9). to be my guide.
Here's some tab for the intro...where I put asterisks, that means fill in a couple extra notes; I wasn't sure which ones to put in.
CDm7(4) F(9) C(9)/E G C ----------------|----------------|----------------|----------------| B ------1-1---0---|--------3---1---|--------1---0---|------1-0-------| G 0---0-----------|------0---------|------0---------|----------0---0-| D --2-------------|----3-----------|----3-----------|----0-------0---| A 3---------------|--0-------------|--3-------------|--3-------------| D ----------------|0---------------|3---------------|2-------5-------| ^ . ^ . ^ * ^ * ^ . ^ . ^ * ^ * ^ . ^ . ^ * ^ * ^ . ^ . ^ . ^ .