Biography:
Steven Paul "Elliott" Smith (August 6, 1969 – October 21, 2003) was an American songwriter and musician. Smith was born in Omaha, Nebraska, raised primarily in Texas, and resided for a significant portion of his life in Portland, Oregon, where he first gained popularity. His primary instrument was the guitar, but he was also proficient at piano, clarinet, bass, drums and harmonica. Smith had a distinctive vocal style characterized by his "whispery, spiderweb-thin delivery" and use of multi-tracking to create vocal harmonies.
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Other songs:
- 2:45 A.m.
- Alameda
- All Cleaned Out
- Angeles
- Baby Britain
- Ballad Of Big Nothing
- Between The Bars
- Big Problem
- Coast To Coast
- Division Day
- First Timer
- Happiness
- I Figured You Out
- King's Crossing
- Kings Crossing
- La
- Memory Lane
- Miss Misery
- Needle In The Hay
- No Name 3
- Oh Well, Ok
- Pretty Ugly Before
- Rose Parade
- Say Yes
- Shake Sugaree
- She Won't Ever Look At Me
- Some Song
- Somebody That I Used To Know
- Son Of Sam
- Speed Trials
- The Biggest Lie
- Thirteen (cover)
- Twilight
- Waltz #2
- Whatever Folk Song In C
- Wouldn't Mama Be Proud
- You Make It Seem Like Nothing
- Pitseleh
- 2 45 Am
- A Distorted Reality Is Now A Necessity To Be Free
- A Fond Farewell
- A Question Mark
- Alphabet Town
- Amity
- Another Standard Folk Song
- Big Decision
- Bled White
- Bottle Up And Explode
- Cant Make A Sound
- Cecilia Amanda
- Christian Brothers
- Coming Up Roses
- Condor Ave
- Confusion
- Dancing On The Highway
- Drive All Over Town
- Easy Way Out
- Either Or
- Everybody Cares Everybody Understands
- Everything Means Nothing To Me
- Everything Reminds Me Of Her
- Fear City
- Flowers For Charlie
- Fond Farewell
- From A Poison Well
- Golden Street
- Grand Mal
- Half Right
- Have You Seen Her
- High Times
- I Better Be Quiet Now
- I Cant Answer You Anymore
- I Didnt Understand
- Im Gonna Get Crushed
- In The Lost And Found
- Independence Day
- Jealous Guy
- Junk Bond Trader
- Last Call
- Lets Get Lost
- Like A Cop
- Looking Over My Shoulder
- New Monkey
- No Confidence Man
- No Name 1
- No Name 2
- No Name 4
- No Name 5
- Oh Well Okay
- Passing Feeling
- Pictures Of Me
- Placeholder
- Plainclothes Man
- Pretty Mary K
- Punch And Judy
- Roman Candle
- Satellite
- See You Later
- She Wont Ever Look At Me
- Shiva Opens Her Arms
- Shooting Star
- Shooting Xstar
- Shytown
- Single File
- Splitzville
- St Ides Heaven
- Stickman
- Strung Out Again
- Stupidity Tries
- Sweet Adeline
- Talking To Mary
- The Real Estate
- The White Lady Loves You More
- Trouble
- Troubles
- True Love
- Unlucky Charm Come Out Now
- Waltz 1
- Waltz 2 Xo
- Waterloo Sunset
- Were All Friends Now
- Where I Get It From
- Wouldnt Mama Be Proud
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
G(II) Am
activity's killing the actor
D C/G(II) Cadd9/B Am
and a cop's standing out in the road
F(II) D7/F#
turning traffic away
G(III) Am
there was nothing she could do until after
D C/G(II) Cadd9/B Am
when his body'd been buried below
F(II) D7/F#
way back in the day
Em Am Em C/G(II) G/F#
oh my nothing else could've been done
G(II) G/F#(II) Em D C/G(II) B7/F#
he made his life a lie so
Em Am Em C/G(II) G/F#
he might never have to know anyone
G(II) G/F#(II) Em D C(II) C#(b5) Eb(b5)
made his life the lie you know
G(II) Am
i told him he shouldn't upset her
D C/G(II) Cadd9/B Am
and that he'd only be making it worse
F(II) D7/F#
involving somebody else
G(III) Am
but I knew that he'd never forget her
D C/G(II) Cadd9/B Am
while her memory worked in reverse
F(II) D7/F#
to keep her safe from herself
Em Am Em C/G(II) G/F#
oh my nothing else could've been done
G(II) G/F#(II) Em D C/G(II) B7/F#
she made her life a lie so
Em Am Em C/G(II) G/F#
she might never have to know anyone
G(II) G/F#(II) Em D C(II) C#(b5) Eb(b5)
made her life the lie you know
G(II) Bm F C Eb(b5) G(II) A C G/F#
what I used to be will pass away and then you'll see that
G(II) Bm F C Eb(b5) G(II) A C G/F#
all I want now is ha- -ppiness for you and me
G(II) Bm F C Eb(b5) G(II) A C G/F#
what I used to be will pass away and then you'll see that
G(II) Bm F C Eb(b5) G(II) A C G/F#
all I want now is ha- -ppiness for you and me for
G(II) Bm F(II) C(II) Eb(5) G(II) A C G(II)
you and me
end
A C G(II)
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