Donald Jay Fagen (born January 10, 1948) is an American musician and songwriter, best known as the co-founder, lead singer, and the principal songwriter (along with partner Walter Becker) of Steely Dan. Fagen is known for his use of complex jazz harmonies, elaborate arrangements, and exacting attention to detail and launched his successful, if sporadic solo career in 1982.
Fagen penned a group of songs based on his experiences as a young man in 1950's America
Four years of hard work!This month of May we celebrated four years on the air. We continue working on the dissemination of this wonderful instrument, thank you for participating in our story!
C13sus4 C7 Out on the fringe C13sus4 C7 Where the shallows meet the scratchlands
C13sus4 C7 C13sus4 C7 Out where hope and the highway ends C13sus4 C7 You can park or cruise C13sus4 C7 Both ways you lose A7+5/DGdim/DDm7Cmaj7/DDm7 This is fly town now my friend
C13sus4 C7 C13sus4 C7 You take a walk on bleak street C13sus4 C7 C13sus4 C7 Tonight could be the night you crash C13sus4 C7 Then you turn and stop C13sus4 C7 Start to finger pop F13sus4 F7 F13sus4 F7 You think you hear a wailin' combo Bbmaj7Bb6Bbmaj7Bb6 You climb a flight of twisted stairs Abm6 Some cat says buddy
G13sus4 G7 If you've got eyes G13sus4 G7 To rhythma tize G13sus4 G7 G13sus4 G7 Bring your flat hat and your ax G13sus4 G7 'cause to night at ten G13sus4 G7 We'll be workin' a gain Bm7-5 E7+9+11 Csus4/Bb G7 At the teahouse on the tracks
C13sus4 C7 C13sus4 C7 The siegel bros. were slammin' out a baion C13sus4 C7 C13sus4 C7 So slick it should have been a crime C13sus4 C7 C13sus4 C7 I rene and flocko and little Amy Khan A7+5/DGdim/DDm7Cmaj7/DDm7 Lead off the big front line C13sus4 C7 C13sus4 C7 The crowd was bouncin' in sync with the pulse C13sus4 C7 C13sus4 C7 You get a case of party feet C13sus4 C7 (then the room turns bright C13sus4 C7 And fills up with light) F13sus4 F7 F13sus4 F7 Then from somewhere deep in side you Bbmaj7Bb6Bbmaj7Bb6 Some frozen stuff begins to crack Abm6 Better hurry
G13sus4 G7 G13sus4 G7 Take the t- line to bleak and di vine G13sus4 G7 G13sus4 G7 Just a bove the good time flats G13sus4 G7 It's your last chance G13sus4 G7 To learn how to dance Bm7-5 E7+9+11 Csus4/Bb G7 At the teahouse on the tracks
F13sus4 F7 On sunday morning F13sus4 F7 You're back at the wheel Bbmaj7Bb6Bbmaj7Bb6 You're feelng calm and crisp and strong
|Abm6Abm(maj7) |
G13sus4 G7 If it feels right G13sus4 G7 Just drive for the light G13sus4 G7 G13sus4 G7 That's the groove sential facts G13sus4 G7 G13sus4 G7 Someday we'll all meet at the end of the street A+5/B E7+9+11 Csus4/Bb G7 At the teahouse on the tracks G13sus4 G7 If you've got eyes G13sus4 G7 To rhythma tize G13sus4 G7 G13sus4 G7 Bring your flat hat and your ax G13sus4 G7 'cause to night at ten G13sus4 G7 We'll be workin' a gain Bm7-5 E7+9+11 Csus4/Bb G7 At the teahouse on the tracks
G13sus4 G7 G13sus4 G7 Take the T line to Bleak and Divine G13sus4 G7 G13sus4 G7 Just above the Good Times Flats G13sus4 G7 It’s your last chance G13sus4 G7 To learn how to dance A+5/B E7+9+11 Csus4/Bb G7 At the Teahouse on the Tracks
G13sus4 G7 If it feels right G13sus4 G7 Just drive for the light G13sus4 G7 G13sus4 G7 That's the groove sential facts G13sus4 G7 G13sus4 G7 Someday we'll all meet at the end of the street A+5/B E7+9+11 Csus4/Bb G7 At the teahouse on the tracks
*the 13sus4 chords followed by a 7th which appears throughout can be played with the same configuration as such ( G13sus4 and G7 shown here )