Lo-Pro

Freedom is a beautiful thing. Take it from Abraham Lincoln, Sir William Wallace, Rage Against the Machine and now Southern California’s finest resurrected rock titans Lo-Pro. After a promising 2003 self-titled debut that yielded not only a bona fide radio smash in the crunching “Sunday”, but riveting acoustic gigs with Staind mainman Aaron Lewis, the quintet sunk into that all-too-familiar quagmire of label and cashflow malaise. Fast-forward several years

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